Cinematic structures in Italo Calvino’s fictions

References

1. Asor Rosa, Alberto (1988), ‘Il “punto di vista” di Calvino’, in G. Falaschi (ed.), Italo Calvino: Atti del convegno internazionale, Milan: Garzanti, pp. 261–76.
   [Google Scholar]
2. Barenghi, Mario (2007), Italo Calvino: Le linee e i margini, Bologna: Il Mulino.
   [Google Scholar]
3. Bellardi, Marco (2018), ‘The cinematic mode in fiction’, Frontiers of Narrative Studies, Special Issue: ‘European Narratology Network 5 (ENN5)’, 4:1, pp. 24–47.
   [Google Scholar]
4. Belpoliti, Marco (2006), L’occhio di Calvino, Turin: Einaudi.
   [Google Scholar]
5. Bolongaro, Eugenio (2003), Italo Calvino and the Compass of Literature, Toronto: Toronto University Press.
   [Google Scholar]
6. Bonsaver, Guido (1994), ‘Il Calvino “semiotico”: dalla crisi del romanzo naturalistico all’opera come macrotesto’, The Italianist, 14:1, pp. 160–94.
   [Google Scholar]
7. Bonsaver, Guido (1995a), ‘“Il Menabò”, Calvino and the “avanguardie”: Some observations on the literary debate of the sixties’, Italian Studies, 50:1, pp. 86–96.
   [Google Scholar]
8. Bonsaver, Guido (1995b), Il mondo scritto: Forma e ideologia nella narrativa di Italo Calvino, Turin: Tirrenia Stampatori.
   [Google Scholar]
9. Bonucci, Alberto, Sollima, Sergio, Manfredi, Nino and Lucignani, Luciano (1962), L’amore difficile, Italy: Achille Piazzi.
   [Google Scholar]
10. Brandi, Paolo (2007), Parole in movimento: L’influenza del cinema sulla letteratura, Fiesole: Cadmo.
    [Google Scholar]
11. Calvino, Italo (1971), The Watcher and Other Stories (trans. W. Weaver), San Diego, CA, New York and London: Harcourt Brace Jovanovich.
    [Google Scholar]
12. Calvino, Italo (1983), Marcovaldo or the Seasons in the City (trans. W. Weaver), San Diego, CA, New York and London: Harcourt Brace Jovanovich.
    [Google Scholar]
13. Calvino, Italo (1985a), Difficult Loves (trans. W. Weaver and D. S. Carne-Ross), London: Picador.
    [Google Scholar]
14. Calvino, Italo (1985b), Difficult Loves (trans. W. Weaver, A. Colquhoun and P. Wright), San Diego, CA, New York and London: Harcourt Brace Jovanovich.
    [Google Scholar]
15. Calvino, Italo (1985c), Mr Palomar (trans. W. Weaver), San Diego, CA, New York and London: Harcourt Brace Jovanovich.
    [Google Scholar]
16. Calvino, Italo (1991), I libri degli altri (ed. G. Tesio), Turin: Einaudi.
    [Google Scholar]
17. Calvino, Italo (1992), Romanzi e racconti, vol. 2 (eds M. Barenghi and B. Falcetto), Milan: Mondadori (i Meridiani).
    [Google Scholar]
18. Calvino, Italo (1993), Romanzi e racconti, vol. 1, 2nd ed. (eds M. Barenghi and B. Falcetto), Milan: Mondadori (i Meridiani).
    [Google Scholar]
19. Calvino, Italo (1995a), Saggi, 1945–1985, vol. 1 (ed. M. Barenghi), Milan: Mondadori (i Meridiani).
    [Google Scholar]
20. Calvino, Italo (1995b), Saggi, 1945–1985, vol. 2 (ed. M. Barenghi), Milan: Mondadori (i Meridiani).
    [Google Scholar]
21. Calvino, Italo (2000), The Path to the Spiders’ Nests (trans. A. Colquhoun), New York: The Ecco Press.
    [Google Scholar]
22. Calvino, Italo (2021), Last Comes the Raven (trans. A. Colquhoun, P. Wright, A. Goldstein, B. Johnson and W. Weaver), Boston, MA and New York: Mariner Books.
    [Google Scholar]
23. Canosa, Michele (2015), ‘La distanza’, in L. Pellizzari (ed.), L’avventura di uno spettatore: Italo Calvino e il cinema, Dublin: Artdigiland, pp. 72–91.
    [Google Scholar]
24. Chaplin, Charlie (1918), A Dog’s Life, USA: First National Pictures Inc.
    [Google Scholar]
25. Chatman, Seymour (1978), Story and Discourse: Narrative Structure in Fiction and Film, Ithaca, NY and London: Cornell University Press.
    [Google Scholar]
26. Clerici, Luca and Falcetto, Bruno (eds) (1994), Calvino e il comico, Milan: Marcos y Marcos.
    [Google Scholar]
27. Cohen, Keith (1979), Film and Fiction: The Dynamics of Exchange, London and New Haven, CT: Yale University Press.
    [Google Scholar]
28. Comrie, Bernard (1976), Aspect: An Introduction to the Study of Verbal Aspect and Related Problems, Cambridge: Cambridge University Press.
    [Google Scholar]
29. Costa, Antonio (1988), ‘Palomar e l’effetto rebound’, Annali d’italianistica, 6, pp. 252–60.
    [Google Scholar]
30. Deamer, David (2016), Deleuze’s Cinema Books: Three Introductions to the Taxonomy of Images, Edinburgh: Edinburgh University Press.
    [Google Scholar]
31. Deleuze, Gilles (1983), Cinema 1: L’image-mouvement, Paris: Les Éditions de Minuit.
    [Google Scholar]
32. Deleuze, Gilles (1985), Cinema 2: L’image-temps, Paris: Les Éditions de Minuit.
    [Google Scholar]
33. Elleström, Lars (2014), Media Transformation: The Transfer of Media Characteristics Among Media, Basingstoke: Palgrave Macmillan.
    [Google Scholar]
34. Elleström, Lars (2019), ‘Transmediation: Some theoretical considerations’, in L. Elleström and N. Salmose (eds), Transmediations: Communication Across Media Borders, New York and London: Routledge, pp. 1–13.
    [Google Scholar]
35. Falcetto, Bruno (1994), ‘Sorriso, riso, smorfia’, in L. Clerici and B. Falcetto (eds), Calvino e il comico, Milano: Marcos y Marcos, pp. 43–81.
    [Google Scholar]
36. Ferrara, Enrica Maria (2011), Calvino e il teatro, Oxford: Peter Lang.
    [Google Scholar]
37. Ferrara, Enrica Maria (2014), Il realismo teatrale nella narrativa del Novecento, Florence: Firenze University Press.
    [Google Scholar]
38. Ferrua, Pietro (1988), ‘Opere giovanili di Italo Calvino’, in G. Bertone (ed.), Italo Calvino: La letteratura, la scienza, la città: Atti del convegno nazionale di studi, Genoa: Marietti, pp. 50–59.
    [Google Scholar]
39. Genette, Gérard (1972), Figures III, Paris: Éditions du Seuil.
    [Google Scholar]
40. Grundtvig, Birgitte, McLaughlin, Martin and Waage Petersen, Lene (eds) (2007), Image, Eye and Art in Calvino: Writing Visibility, Abingdon and New York: Legenda.
    [Google Scholar]
41. Hand, David, Cottrell, William, Jackson, Wilfred, Morey, Larry, Pearce, Perce and Sharpsteen, Ben (1937), Snow White and the Seven Dwarfs, USA: Walt Disney Productions.
    [Google Scholar]
42. Henderson, Brian (1999), ‘Tense, mood, and voice in film: (Notes after Genette)’, in B. Henderson and A. Martin (eds), Film Quarterly: Forty Years, Berkeley, CA: California University Press, pp. 54–75.
    [Google Scholar]
43. Hitchcock, Alfred (1954), Rear Window, USA: Patron Inc.
    [Google Scholar]
44. Hume, Kathryn (1992), Calvino’s Fictions: Cogito and Cosmos, Oxford: Clarendon Press.
    [Google Scholar]
45. Jost, François (1987), L’œil caméra: Entre film et roman, Lyon: Presses Universitaires de Lyon.
    [Google Scholar]
46. Keaton, Buster and St Clair, Malcolm (1921), The Goat, USA: Joseph M. Schenck Productions and Buster Keaton Productions.
    [Google Scholar]
47. Kinder, Marsha (1999), ‘The subversive potential of the pseudo-iterative’, in B. Henderson and A. Martin (eds), Film Quarterly: Forty Years, Berkeley, CA: California University Press, pp. 125–49.
    [Google Scholar]
48. Lima, Eleonora (2020), Le tecnologie dell’informazione nella scrittura di Italo Calvino e Paolo Volponi, Florence: Firenze University Press.
    [Google Scholar]
49. Maselli, Francesco (1982), L’avventura di un fotografo, Italy: RAI.
    [Google Scholar]
50. McKenzie, Rory (2021), ‘Italy’s “Ragioniere” the national and international relevance of Ugo Fantozzi’, Journal of Italian Cinema & Media Studies, 9:2, pp. 245–60.
    [Google Scholar]
51. McLaughlin, Martin (1998), Italo Calvino, Edinburgh: Edinburgh University Press.
    [Google Scholar]
52. Metz, Christian ([1968] 1974), Film Language: A Semiotics of the Cinema (trans. M. Taylor), Chicago, IL: The University of Chicago Press.
    [Google Scholar]
53. Milanini, Claudio (1990), L’utopia discontinua: Saggio su Italo Calvino, Milan: Garzanti.
    [Google Scholar]
54. Montgomery, Robert (1947), Lady in the Lake, USA: Metro-Goldwyn-Mayer.
    [Google Scholar]
55. Parenti, Neri and Villaggio, Paolo (1980), Fantozzi contro tutti, Italy: Maura Film s.r.l.
    [Google Scholar]
56. Pierantoni, Ruggero (1988), ‘Calvino e l’ottica’, in G. Falaschi (ed.), Italo Calvino: Atti del convegno internazionale, Milan: Garzanti, pp. 277–83.
    [Google Scholar]
57. Pomilio, Tommaso (2015), ‘In visibile ascolto: Sugli orli del dicibile’, in L. Pellizzari (ed.), L’avventura di uno spettatore: Italo Calvino e il cinema, Dublin: Artdigiland, pp. 24–41.
    [Google Scholar]
58. Rajewsky, Irina O. (2005), ‘Intermediality, intertextuality, and remediation: A literary perspective on intermediality’, Intermédialités: Histoire et théorie des arts, des lettres et des techniques, 6, pp. 43–64.
    [Google Scholar]
59. Re, Lucia (1990), Calvino and the Age of Neorealism: Fables of Estrangement, Stanford, CA: Stanford University Press.
    [Google Scholar]
60. Re, Lucia (1999), ‘Calvino e il cinema: La voce, lo sguardo, la distanza’, Quaderni d’italianistica, 20:1–2, pp. 91–102.
    [Google Scholar]
61. Ricci, Franco (1989), ‘Painting with words, writing with pictures’, in F. Ricci (ed.), Calvino Revisited, Ottawa: Dovehouse Editions, pp. 189–202.
    [Google Scholar]
62. Ricci, Franco (2001), Painting with Words, Writing with Pictures: Word and Image in the Work of Italo Calvino, Toronto, Buffalo, NY and London: Toronto University Press.
    [Google Scholar]
63. Ricci, Franco (2007), ‘Calvino and Klee: Variations of lines’, in B. Grundtvig, M. McLaughlin and L. Waage Petersen (eds), Image, Eye and Art in Calvino, Abingdon and New York: Legenda, pp. 260–77.
    [Google Scholar]
64. Rondolino, Gianni and Tomasi, Dario (2011), Manuale del film: Linguaggio, racconto, analisi, 2nd ed., Novara: UTET.
    [Google Scholar]
65. Santoro, Vito (2012), Calvino e il cinema, Macerata: Quodlibet.
    [Google Scholar]
66. Schlickers, Sabine (2009), ‘Focalisation, ocularisation and auricularisation in film and literature’, in P. Hühn, W. Schmid and J. Schönert (eds), Point of View, Perspective and Focalization: Modeling Mediation in Narrative, Berlin and New York: De Gruyter, pp. 243–58.
    [Google Scholar]
67. Tornabuoni, Lucia (2015), ‘Il cinema inesistente: Intervista a Italo Calvino’, in L. Pellizzari (ed.), L’avventura di uno spettatore: Italo Calvino e il cinema, Dublin: Artdigiland, pp. 174–81.
    [Google Scholar]
68. Trousdale, Gary and Wise, Kirk (1991), Beauty and the Beast, USA: Walt Disney Feature Animation.
    [Google Scholar]
69. Villaggio, Paolo (1971), Fantozzi, Milan: Rizzoli.
    [Google Scholar]
70. Weinrich, Harald (1978), Tempus: Le funzioni dei tempi nel testo (trans. M. P. La Valva), Bologna: Il Mulino.
    [Google Scholar]
71. Wolf, Werner (2011), ‘(Inter)mediality and the study of literature’, CLCWeb: Comparative Literature and Culture, 13:3, pp. 1–9.
    [Google Scholar]