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This article explores Alice Rohrwacher’s aesthetic vision in Quattro strade (Four Roads), a short film shot during the 2020 pandemic. In this work, Rohrwacher portrays herself in isolation at her countryside home, striving to capture her surroundings and the people in her life through an old video camera, her only tool. The formal constraints resolve into a new artistic approach, rooted in naturalness and stylistic regression. Thus, techniques defined by subtraction and imperfection – avoidance of direct sound recording, of high-definition imagery and of image-stabilizing tools – are paired with a tight focus on an environmental microcosm and the erasure of boundaries between filmmaker and narrative. Both the narrative and directorial voices overlap within a voice-over explicitly directed towards the exploration of natural and human landscapes. The result is a brief yet deeply impactful coming-of-age story, an exemplary manifesto for a new ecology of representation.