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1981
Volume 6, Issue 2
  • ISSN: 1752-7066
  • E-ISSN: 1752-7074

Abstract

Abstract

In this article I discuss how phenomenology can offer the philosophical foundation and practical insights for teaching creative music technology in higher education.

I start discussing some of the challenges faced by lecturers and course designers working with music technology. Then, I summarize a few contributions of phenomenology for education, music studies and music education, followed by a short discussion about the relationship between music and technology in electroacoustic music and music production. To conclude, I discuss how this reflection can offer useful insights and suggestions to lecturers and courses designers working in the field at colleges and universities.

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/content/journals/10.1386/jmte.6.2.207_1
2013-08-01
2024-06-18
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