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1981
Volume 5, Issue 1
  • ISSN: 1759-7137
  • E-ISSN: 1759-7145

Abstract

Abstract

This essay explores the concept of a cinematic idea. How does it originate, and how can it shape, on every level, the construction of a film? Making special reference to filmmakers’ documents (as an instance of genetic criticism), the essay offers a case study of Leos Carax’s Holy Motors.

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/content/journals/10.1386/josc.5.1.9_1
2014-03-01
2024-06-24
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