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Women in Screenwriting
  • ISSN: 1759-7137
  • E-ISSN: 1759-7145

Abstract

This article focuses on the Zimbabwean film (1992), arguably one of the most important films in the history of sub-Saharan Africa. Directed by the Black Zimbabwean Godwin Mawuru, it was the first feminist film in Zimbabwe and in the region, highlighting the plight of women who become the property of their brothers-in-law after their husbands die. The article addresses the issues of the origins of the story and the authorship of the screenplay. On the final reel of the film, the story credit names the accomplished Zimbabwean female novelist, Tsitsi Dangarembga; while the screenplay credit names Louise Riber. Riber served as the film’s White American editor and co-producer who, with her husband John Riber, managed the Media for Development Fund in Zimbabwe. The key question of this article is simple: who wrote the screenplay for ? Through the physical and metaphorical journey of this research, we discover that the story is based on the personal experiences of Anna Mawuru, the director’s mother. This is the first time that this fact has surfaced. As such, this article also offers some reflections on issues of adaption/translation, particularly in the context of postcolonial collaborations.

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2020-09-01
2024-09-12
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/content/journals/10.1386/josc_00034_1
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Who is the author of Neria (1992) – and is it a Zimbabwean masterpiece or a neo-colonial enterprise?
Journal of Screenwriting 11, 287 (2020); https://doi.org/10.1386/josc_00034_1
/content/journals/10.1386/josc_00034_1
/content/journals/10.1386/josc_00034_1
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  • Article Type: Article
Keyword(s): Neria; politics of translation; position of women; post-colonialism; sub-Saharan cinema; Zimbabwe

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