1981
Women in Screenwriting
  • ISSN: 1759-7137
  • E-ISSN: 1759-7145

Abstract

In 2009, I was living in Damascus, Syria, writing . The film told the story of the last remaining , oral storyteller, in Damascus. Like many traditions in the Arab world, the profession is an inherited one, passed on through the generations since 600 AD from father to son and so on. But in my film, the last has only one child, a daughter, and rather than adapting/modernizing this tradition and passing it on to her, he allows it to die. Two years later, the Syrian revolution broke out and the story, along with the country, fell apart. I have spent the years since reimagining what the story could be instead. Prior to the revolution, what interested me was how the film would explore the battle between tradition and modernity. What interests me today is ‘who has the right to tell the narrative of what is happening in Syria?’ Sadly, it is mostly men. This is the theme now wishes to explore. This article is an account of how the Syrian revolution inspired the rewriting of .

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/content/journals/10.1386/josc_00035_1
2020-09-01
2023-02-07
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References

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  • Article Type: Article
Keyword(s): Arab; feminism; revolution; screenwriting; Syria; war
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