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1981
Volume 13, Issue 1
  • ISSN: 1759-7137
  • E-ISSN: 1759-7145

Abstract

This article examines June Mathis’s skill as a screenwriter with two case studies: adaptations of Vicente Blasco Ibáñez’s and . In addition to her skill in collaboration, adaptation, constructing compelling melodrama and progressive casting, Mathis also excelled at several screenwriting techniques. Indeed, an analysis of these two scripts – against the novels from which they were adapted – offers a kind of master class in the art of constructing a compelling universal theme that appeals to a mass audience in popular culture; introducing the protagonist in an intriguing manner that communicates with the audience via subtext; selecting an appropriate point of attack to launch the story; creating a likable hero with a satisfying arc; streamlining the plot; and constructing an emotionally impactful closing image that underscores the theme. In both films, Mathis used these techniques to craft a powerful polemic against violence in all its forms. Thus, she did indeed consider social change on a global scale contrary to the criticism that has been levelled against her and other women writers working in early Hollywood.

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2022-04-01
2026-04-22

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