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1981
Volume 9, Issue 2
  • ISSN: 2397-6721
  • E-ISSN: 2397-673X

Abstract

This article investigates the impact and motivations behind a negative response from a school principal to a music video produced in a Western Sydney high school, contextualizing the case against the dangerization of local artists performing drill music, a subgenre of hip hop. Following a storying approach, the article draws data from research topic yarns held between a non-Indigenous teacher-researcher, hip hop producer and education project officer. Through sharing our perspectives and voices, we table a provocation about the potential for drill music as a culturally relevant learning tool for engagement and connection within diverse Western Sydney communities.

Funding
This study was supported by the:
  • Sydney Conservatorium of Music Internal Research
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/content/journals/10.1386/jpme_00165_1
2025-08-29
2026-04-19

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