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, Debbie Higgison2 and Rhyan Clapham3
This article investigates the impact and motivations behind a negative response from a school principal to a music video produced in a Western Sydney high school, contextualizing the case against the dangerization of local artists performing drill music, a subgenre of hip hop. Following a storying approach, the article draws data from research topic yarns held between a non-Indigenous teacher-researcher, hip hop producer and education project officer. Through sharing our perspectives and voices, we table a provocation about the potential for drill music as a culturally relevant learning tool for engagement and connection within diverse Western Sydney communities.
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https://doi.org/10.1386/jpme_00165_1 Published content will be available immediately after check-out or when it is released in case of a pre-order. Please make sure to be logged in to see all available purchase options.