The logic of formatting: A case study on transnational television production

References

1. Alacovska, A.. ( 2016;), ‘ From “poetics” to “production”: Genres as active ingredients in media production. ’, in C. Paterson,, D. Lee,, A. Saha, and A. Zoellner. (eds), Advancing Media Production Research: Shifting Sites, Methods, and Politics, Basingstoke:: Palgrave Macmillan;, pp. 181–99.
   [Google Scholar]
2. Appadurai, A.. ( 1996), Modernity at Large: Cultural Dimensions of Globalization, Minneapolis:: University of Minnesota Press;.
   [Google Scholar]
3. Baltruschat, D.. ( 2010), Global Media Ecologies: Networked Production in Film and Television, New York:: Routledge;.
   [Google Scholar]
4. Chalaby, J. K.. ( 2009;), ‘ Broadcasting in a post-national environment: The rise of transnational TV groups. ’, Critical Studies in Television, 4:1, pp. 39–64.
   [Google Scholar]
5. Chalaby, J. K.. ( 2016), The Format Age: Television’s Entertainment Revolution, Cambridge, MA:: Polity Press;.
   [Google Scholar]
6. Chalaby, J. K.. ( 2020;), ‘ Understanding media globalization: A global value chain analysis. ’, in S. Shimpach. (ed.), The Routledge Companion to Global Television, New York and London:: Routledge;, pp. 373–84.
   [Google Scholar]
7. Doyle, G., and Barr, K.. ( 2019;), ‘ After the gold rush: Industrial re-configuration in the UK television production sector and content. ’, Media, Culture & Society, 41:7, pp. 939–57.
   [Google Scholar]
8. Esser, A.. ( 2002;), ‘ The transnationalization of European television. ’, Journal of European Area Studies, 10:1, pp. 13–29.
   [Google Scholar]
9. Esser, A.. ( 2014;), ‘ European television programming: Exemplifying and theorizing glocalization in the media. ’, in R. Robertson. (ed.), European Glocalization in Global Context, Basingstoke:: Palgrave;, pp. 82–102.
   [Google Scholar]
10. Esser, A.. ( 2016;), ‘ Challenging U.S. leadership in entertainment television? The rise and sale of Europe’s international TV production groups. ’, International Journal of Communication, 10, pp. 3585–614.
    [Google Scholar]
11. Fernández-Quijada, D.. ( 2013;), ‘ Transnationalism and media groups in independent television production in the UK and Spain. ’, Global Media and Communication, 9:2, pp. 101–18.
    [Google Scholar]
12. FRAPA ( 2020), https://frapa.org. Accessed 6 October 2020.
13. Ganguly, L.. ( 2019;), ‘ Global television formats and their impact on production cultures: The remaking of music entertainment television in India. ’, Television & New Media, 20:1, pp. 20–35.
    [Google Scholar]
14. Havens, T.. ( 2006), Global Television Marketplace, London:: BFI Publishing;.
    [Google Scholar]
15. Havens, T.. ( 2014;), ‘ Towards a structuration theory of media intermediaries. ’, in D. Johnson,, D. Kompare, and A. Santo. (eds), Making Media Work: Cultures of Management in the Entertainment Industries, New York:: New York University Press;, pp. 39–59.
    [Google Scholar]
16. Havens, T.. ( 2020;), ‘ What was television? The global and the local. ’, in S. Shimpach. (ed.), The Routledge Companion to Global Television, New York and London:: Routledge;, pp. 30–38.
    [Google Scholar]
17. Havens, T.,, Lotz, A. D., and Tinic, S.. ( 2009;), ‘ Critical media industry studies: A research approach. ’, Communication, Culture & Critique, 2:2, pp. 234–53.
    [Google Scholar]
18. Keane, M., and Moran, A.. ( 2008;), ‘ Television’s new engines. ’, Television & New Media, 9:2, pp. 155–69.
    [Google Scholar]
19. Keinonen, H.. ( 2018;), ‘ The power of the format catalogue: How global institutional structures determine television production in a small national market. ’, Critical Studies in Television, 13:2, pp. 153–68.
    [Google Scholar]
20. Kuipers, G.. ( 2011;), ‘ Cultural globalization as the emergence of a transnational cultural field: Transnational television and national media landscapes in four European countries. ’, American Behavioral Scientist, 55:5, pp. 541–57.
    [Google Scholar]
21. Kuipers, G.. ( 2012;), ‘ The cosmopolitan tribe of television buyers: Professional ethos, personal taste and cosmopolitan capital in transnational cultural mediation. ’, European Journal of Cultural Studies, 15:5, pp. 581–603.
    [Google Scholar]
22. Lotz, A. D., and Newcomb, H.. ( 2012;), ‘ The production of entertainment media. ’, in K. B. Jensen. (ed.), The Handbook of Media and Communication Research: Qualitative and Quantitative Methodologies, , 2nd ed.., New York:: Routledge;, pp. 71–86.
    [Google Scholar]
23. Müller, E.. ( 2011), Not Only Entertainment: Studien Zur Pragmatik Und Ästhetik Der Fernsehunterhaltung, Cologne:: Herbert Von Halem Verlag;.
    [Google Scholar]
24. O’Regan, T., and Potter, A.. ( 2013;), ‘ Globalisation from within? The de-nationalising of Australian film and television production. ’, Media International Australia, 149:1, pp. 5–14.
    [Google Scholar]
25. Oren, T.. ( 2012;), ‘ Reiterational texts and global imagination: Television strikes back. ’, in T. Oren, and S. Shahaf. (eds), Global Television Formats: Understanding Television across Borders, New York and London:: Routledge;, pp. 366–81.
    [Google Scholar]
26. Oren, T., and Shahaf, S.. ( 2012;), ‘ Introduction: Television formats – A global framework for TV studies. ’, in T. Oren, and S. Shahaf. (eds), Global Television Formats: Understanding Television across Borders, New York and London:: Routledge;, pp. 1–20.
    [Google Scholar]
27. Paterson, C.,, Lee, D.,, Saha, A., and Zoellner, A.. ( 2016;), ‘ Production research: Continuity and transformation. ’, in C. Paterson,, D. Lee,, A. Saha, and A. Zoellner. (eds), Advancing Media Production Research: Shifting Sites, Methods, and Politics, Basingstoke:: Palgrave Macmillan;, pp. 3–19.
    [Google Scholar]
28. Peterson, R. V. A., and Anand, N.. ( 2004;), ‘ The production of culture perspective. ’, Annual Review of Sociology, 30:1, pp. 311–34.
    [Google Scholar]
29. Shahaf, S.. ( 2007;), ‘ Welcome to the sitcom school: A globalized outlook for the study of television history. ’, Westminster Papers in Communication and Culture, 4:4, pp. 103–23.
    [Google Scholar]
30. Shahaf, S.. ( 2016;), ‘ Decentring innovation: The Israeli television industry and the format-driven transnational turn in content development. ’, in K. Aveyard,, A. Moran, and P. M. Jensen. (eds), New Patterns in Global Television Formats, Bristol:: Intellect;, pp. 295–309.
    [Google Scholar]
31. Straubhaar, J.. ( 2007), World Television: From Global to Local, Thousand Oaks:: Sage;.
    [Google Scholar]
32. van Keulen, J.,, Bauwens, J., and Krijnen, T.. ( 2020;), ‘ “Everyone working a little more closely together”: Transnationalization of creative production in TV production conglomerates. ’, Television & New Media, 21:7, pp. 749–67.
    [Google Scholar]
33. Waisbord, S.. ( 2004;), ‘ McTV: Understanding the global popularity of television formats. ’, Television & New Media, 5:4, pp. 359–83.
    [Google Scholar]
34. Waisbord, S., and Jalfin, S.. ( 2009;), ‘ Imagining the national: Gatekeepers and the adaptation of global franchises in Argentina. ’, in A. Moran. (ed.), TV Formats Worldwide: Localizing Global Programs, Bristol:: Intellect;, pp. 55–74.
    [Google Scholar]
35. Zoellner, A.. ( 2009;), ‘ Professional ideology and program conventions: Documentary development in independent British television production. ’, Mass Communication and Society, 12:4, pp. 503–36.
    [Google Scholar]
36. Love Island ( 2015–present, UK:: ITV;).
    [Google Scholar]
37. van Keulen, Jolien,, Krijnen, Tonny, and Bauwens, Joke. ( 2021;), ‘ The logic of formatting: A case study on transnational television production. ’, Journal of Popular Television, 9:3, pp. 391–408, https://doi.org/10.1386/jptv_00064_1
    [Google Scholar]