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This article seeks to build a bridge between approaches to television drama that explore form and style, and those that explore realism and representation. It proposes questions which can be applied to any television drama, and reveal meaningful distinctions. The argument is developed through comparative analysis of Sally Wainwright’s Happy Valley (2014–present) and long-running British soap opera Coronation Street (1960–present).
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https://doi.org/10.1386/jptv_00080_1 Published content will be available immediately after check-out or when it is released in case of a pre-order. Please make sure to be logged in to see all available purchase options.