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1981
Volume 2, Issue 2
  • ISSN: 2042-7891
  • E-ISSN: 2042-7905

Abstract

The timely subject of revolutionary struggle and the exotic record of films intended for a Swedish TV audience propelled the recent success of The Black Power Mixtape 1967–1975 by Göran Hugo Olsson (2011). The film exemplifies the processes of selection and re-enactment that are immanent to compilation aesthetics, while drawing attention to the overlooked archive memory of public television.

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/content/journals/10.1386/jsca.2.2.113_1
2012-08-29
2026-04-13

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