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1981
Volume 4, Issue 2
  • ISSN: 2042-7891
  • E-ISSN: 2042-7905

Abstract

Abstract

Via a combination of screenwriting theory and theories on literary manuscripts, this article approaches Ingmar Bergman’s screenwriting as process, from notebooks to script drafts and finished screenplays. It particularly emphasizes the playful dimensions in the early stages of the screenwriting process and the way the writing negotiates fiction and reality.

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/content/journals/10.1386/jsca.4.2.165_1
2014-06-01
2024-09-19
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