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1981
Volume 4, Issue 3
  • ISSN: 2042-7891
  • E-ISSN: 2042-7905

Abstract

Abstract

The article analyses Ingmar Bergman�s Smiles of a Summer Night and Lars von Trier�s The Kingdom. By means of evolution-and neurology-based humour theory it shows how the two directors � who ordinarily make dark and tragic films � use humour mechanisms from mainstream entertainment to transform tragic and painful situations into a social ritual of mirth.

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/content/journals/10.1386/jsca.4.3.231_1
2014-09-01
2024-09-17
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