Skip to content
1981
Volume 8, Issue 1
  • ISSN: 2042-7891
  • E-ISSN: 2042-7905

Abstract

Abstract

For the last several years, there has been a tradition at the Kraków Film Festival, which focuses primarily on documentaries, that one section is dedicated to films from a given country. In 2016, the country chosen was Sweden. This short subject discusses the main aspects of that event. The Focus on Sweden section consisted of sixteen films, mostly documentaries, the oldest from 2014. The festival’s catalogue emphasized the vibrancy and diversity of Swedish film production, which raises the question of whether one can trace any patterns among these diverse films. Discussion of documentaries like (Gandini, 2016), () (Helgeson and af Klintberg, 2015) and () (Hirori, 2016) demonstrates the ways in which they challenge viewers’ opinions of Scandinavia and the world.

Loading

Article metrics loading...

/content/journals/10.1386/jsca.8.1.45_1
2018-03-01
2024-12-05
Loading full text...

Full text loading...

/content/journals/10.1386/jsca.8.1.45_1
Loading
  • Article Type: Article
Keyword(s): audience; documentary; expectation; film festival; Kraków; Sweden
This is a required field
Please enter a valid email address
Approval was a success
Invalid data
An error occurred
Approval was partially successful, following selected items could not be processed due to error