f Editorial

This issue of the Journal of Scandinavian Cinema initially explores the dynamic changes in the Nordic audio-visual sector, highlighting the impact of subscription video on demand (SVoD) services like Netflix and its collaboration with SF Studios, which has propelled Scandinavian genre films to global audiences. The issue also examines Peter Watkins’ influential work in Scandinavia, with two articles on projects completed in the 1970s and 1980s, as well as Roy Andersson’s distinctive version of slow cinema.