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Volume 14, Issue 3
  • ISSN: 2042-7891
  • E-ISSN: 2042-7905

Abstract

Following a boom of user-friendly artificial intelligence tools in recent years, AI-enhanced (or manipulated) films have been framed as a serious threat to film archives. The purpose of this article is to trace and critically evaluate how AI artists use algorithmic upscaling to modify early cinema, more particularly surviving films of the film company Swedish Biograph, and how fragments of this company’s cinematic past circulate online today.

Funding
This study was supported by the:
  • Riksbankens Jubileumsfond
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/content/journals/10.1386/jsca_00118_1
2024-12-13
2025-01-13
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