Skip to content
1981
Volume 2, Issue 3
  • ISSN: 1753-5190
  • E-ISSN: 1753-5204

Abstract

The antagonistic and oppositional mode of publications of the 1960s, such as , and later manifestations of this voice of dissent and discontent in the pages of magazines like are almost indistinguishable in certain texts. was the direct precursor for Scotland's most long-standing visual art publication, , established by students at the Glasgow School of Art in 1984. Examining some of the writings of artists who contributed to these publications is a way of identifying the ways in which art theory and criticism in Scotland both reflected and responded to broader Anglophone critical shifts. It is also a means of understanding the crucial generative nature of art writing in establishing an internationally renowned ecology of artistic practice in Scotland.

Loading

Article metrics loading...

/content/journals/10.1386/jwcp.2.3.327/1
2009-12-01
2025-12-13
Loading full text...

Full text loading...

/content/journals/10.1386/jwcp.2.3.327/1
Loading
  • Article Type: Article
Keyword(s): anti-establishment; art writing; criticism; self-publishing; zine
This is a required field
Please enter a valid email address
Approval was a success
Invalid data
An error occurred
Approval was partially successful, following selected items could not be processed due to error
Please enter a valid_number test