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Short forms of communication are increasingly dominating writing (and reading) practices. From advertising slogans and narrative summaries to different forms of mirco-blogging and micro-pitching, this article examines how the current social and cultural positionality of the writer has acted to condense the event of writing, the processes of writing, and the final state of the written work when complete. It then examines how the designer and the artist (situated as writer and reader) might respond to these changes in terms of creative practice.