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1981
‘Ways of Writing in Art and Design II’ Part 1
  • ISSN: 1753-5190
  • E-ISSN: 1753-5204

Abstract

0ctoGANN is an experimental fiction, operating through multi-sensory imagination, that draws on my experiences of freediving in the Great African Kelp Forest off the coast of Capetown – home to the common octopus – together with an ongoing commitment to refiguring AI. The writing emerges from imagining into the lifeworld of the octopus, made possible by my immersion in the ocean flows and surges. It is a call to (western) human-centric perspectives to embrace knowledge-gathering through embodied intelligence, and to consider how AI might be trained on the decentralized distributed somatic tendencies of the octopus rather than on current corporate marketing/surveillance agendas. It is also a paean to this protean, incoherent (to humans) and experimental creature, living in a constant state of change and fluidity. 0ctoGANN is certainly an expression of hope for the contemporary world, though not necessarily human.

Funding
This study was supported by the:
  • The Arts Council of England
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/content/journals/10.1386/jwcp_00054_1
2024-04-17
2026-04-21

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References

  1. Darnaillacq, Anne-Sophie, Dickel, Ludovic and Mather, Jennifer (eds) (2014), Cephalopod Cognition, Cambridge: Cambridge University Press.
    [Google Scholar]
  2. Godfrey-Smith, Peter (2016), Other Minds: The Octopus and the Evolution of Intelligent Life, Glasgow: Collins Books.
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  3. Hanlon, Roger T. and Messenger, John B. (eds) (2018), Cephalopod Behaviour, Cambridge: Cambridge University Press.
    [Google Scholar]
  4. Montgomery, Sy (2015), The Soul of an Octopus: A Surprising Exploration into the Wonder of Consciousness, London: Simon & Schuster Ltd.
    [Google Scholar]
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