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‘Ways of Writing in Art and Design II’ Part 2
  • ISSN: 1753-5190
  • E-ISSN: 1753-5204

Abstract

This contribution takes the form of a transcript of a prayer/interview. A prayer is a speech act directed into a void, towards an absence (a hole, so to speak). It ‘lays claim to an immediate connection with the Being whose absence fills the world’ as Anne Carson writes in reference to the mystics Simone Weil and Marguerite Porete (2005: 177). The aspiration of a prayer, not unlike a spell or curse, is to directly affect something or someone in the real and physical world through an act of speech (Carson 2005: 177). The following text is developed in reference to the three existing books of the writings and teachings of the mystic St. Catherine of Siena. Parts of the text are fictionalized, reassembled and borrow direct and attributed quotes of these books. The script features characters called K, an amalgam of the researcher and the persons, figures and subjects I converse with in my research. K blurs the authorial voice by mingling it with others, in an attempt to flatten the authority of the narrating voice towards polyvocality. Combining the forms of prayer, interview, dialogue, written conversation and play serves to explore and apply different registers of writing that correspond with St. Catherine’s chosen forms of communication and to (playfully with a nod to common academic methodologies) investigate the holeyness/brokenness of dialogical speaking voices, the wounded text and a textual approach towards the unsayable/unthinkable.

© 2024 Intellect Ltd
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2024-04-17
2024-09-12
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References

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/content/journals/10.1386/jwcp_00059_1
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Dialogue with St. K(aterina): An attempt at a prayer – a (not the) divine comedy
Journal of Writing in Creative Practice 17, 3 (2024); https://doi.org/10.1386/jwcp_00059_1
/content/journals/10.1386/jwcp_00059_1
/content/journals/10.1386/jwcp_00059_1
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  • Article Type: Article
Keyword(s): citation; holes; mysticism; polyvocality; script; voices; wounds

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