1981
Volume 17, Issue 2
  • ISSN: 1740-8296
  • E-ISSN: 2040-0918
Preview this article:

There is no abstract available.

This article is Open Access under the terms of the Creative Commons Attribution 4.0 International licence (CC-BY 4.0), which permits unrestricted use, distribution and reproduction in any medium, provided the original work is properly cited. The CC BY licence permits commercial and noncommercial reuse. To view a copy of the licence, visit https://creativecommons.org/licenses/by/4.0/
Loading

Article metrics loading...

/content/journals/10.1386/macp_00047_7
2021-06-01
2022-12-04
Loading full text...

Full text loading...

/deliver/fulltext/mcp/17/2/mcp.17.2.183.html?itemId=/content/journals/10.1386/macp_00047_7&mimeType=html&fmt=ahah

References

  1. Alevizou, G.. ( 2020;), ‘ Virtual schooling, Covid-gogy and digital fatigue: Parenting for a digital future. ’, Parenting for a Digital Future: A Blog About Growing up in a Digital World, 8 April, https://blogs.lse.ac.uk/parenting4digitalfuture/2020/04/08/virtual-schooling-covid-gogy. Accessed 3 March 2021.
    [Google Scholar]
  2. Anderson, S.. ( 2011;), ‘ Watching people watching people watching. ’, New York Times Magazine, 25 November, https://www.nytimes.com/2011/11/27/magazine/reaction-videos.html. Accessed 3 March 2021.
    [Google Scholar]
  3. ARMY Census ( 2020;), ‘ ARMY Census 2020 results. ’, https://www.btsarmycensus.com. Accessed 3 July 2021.
  4. Chakrabarty, D.. ( 2009), Provincializing Europe, Princeton, NJ:: Princeton University Press;.
    [Google Scholar]
  5. Chatman, D.. ( 2020;), ‘ In solidarity(?): A critique of the K-pop industry’s support for Black Lives Matter. ’, Flow Journal, 27 October, https://www.flowjournal.org/2020/10/k-pop-and-blm. Accessed 3 March 2021.
    [Google Scholar]
  6. Cho, M.. ( 2020;), ‘ Pandemic media: Protest repertoires and K-pop’s double visions. ’, in P. Kedil,, L. Melamed,, V. Hediger, and A. Somaini. (eds), Pandemic Media: Preliminary Notes Toward an Inventory, Lüneberg:: Meson Press;, pp. 33342.
    [Google Scholar]
  7. Chung, C.. ( 2019;), ‘ BTS: Generational icons or misogynists?. ’, Korea Exposé, 29 January, https://www.koreaexpose.com/korean-feminists-argue-kpop-stars-bts-are-misogynists. Accessed 25 January 2021.
    [Google Scholar]
  8. Dwyer, T.. ( 2017), Speaking in Subtitles: Revaluing Screen Translation, Edinburgh:: Edinburgh UP;.
    [Google Scholar]
  9. Fuchs, C.. ( 2012;), ‘ Dallas Smythe today: The audience commodity, the digital labour debate, Marxist political economy and critical theory. ’, Triple C: Communication, Capitalism & Critique: Open Access Journal for a Global Sustainable Information Society, 10:2, pp. 692740.
    [Google Scholar]
  10. Fuhr, M.. ( 2016), Globalization and Popular Music in South Korea: Sounding out K-pop, London:: Routledge;.
    [Google Scholar]
  11. Ingham, T.. ( 2019;), ‘ English-speaking artists are losing their global pop dominance – and YouTube’s leading the charge. ’, Rolling Stone, 1 February, https://www.rollingstone.com/music/music-features/english-speaking-artists-are-losing-their-grip-on-global-pop-domination-and-youtubes-leading-the-charge-786815. Accessed 1 March 2021.
    [Google Scholar]
  12. International Federation of the Phonographic Industry (IFPI) ( 2020), Global Music Report: The Industry in 2019, London:: International Federation of the Phonographic Industry;.
    [Google Scholar]
  13. Iwabuchi, K.. ( 2002), Recentering Globalization, Durham, NC:: Duke University Press;.
    [Google Scholar]
  14. Jenkins, H.. ( 2006), Fans, Bloggers, and Gamers: Exploring Participatory Culture, New York:: NYU Press;.
    [Google Scholar]
  15. Jenkins, H.,, Ford, S., and Green, J.. ( 2013), Spreadable Media: Creating Value and Meaning in a Networked Culture, New York:: NYU Press;.
    [Google Scholar]
  16. Jin, D. Y.. ( 2013;), ‘ The construction of platform imperialism in the globalization era. ’, Triple C: Communication, Capitalism & Critique: Open Access Journal for a Global Sustainable Information Society, 11:1, pp. 14572.
    [Google Scholar]
  17. Jin, D. Y.,, Yoon, K., and Min, W.. ( 2021), Transnational Hallyu: The Globalization of Korean Digital and Popular Culture, Lanham, MD:: Rowman & Littlefield;.
    [Google Scholar]
  18. Kim, A.. ( 2017;), ‘ Korean popular music (K-pop), youth fan culture, and art education curriculum. ’, MA thesis, Columbia, SC:: University of South Carolina;, https://scholarcommons.sc.edu/etd/4368. Accessed 3 March 2021.
    [Google Scholar]
  19. Kim, J. O.. ( 2021;), ‘ BTS as method: A counter-hegemonic culture in the network society. ’, Media, Culture & Society, 43:6, pp. 106177.
    [Google Scholar]
  20. Kim, Y.. ( 2015;), ‘ Globalization of the privatized self-image: The reaction video and its attention economy on YouTube. ’, in L. Hjorth, and O. Khoo. (eds), Routledge Handbook of New Media in Asia, London:: Routledge;, pp. 33342.
    [Google Scholar]
  21. Lee, J.. ( 2019), BTS and ARMY Culture, Seoul:: Communication Books;.
    [Google Scholar]
  22. Liew, K. K.. ( 2013;), ‘ K-pop dance trackers and cover dancers: Global cosmopolitanization and local spatialization. ’, in Y. Kim. (ed.), The Korean Wave: Korean Media Go Global, London:: Routledge;, pp. 16582.
    [Google Scholar]
  23. Min, W.,, Jin, D. Y., and Han, B.. ( 2019;), ‘ Transcultural fandom of the Korean Wave in Latin America: Through the lens of cultural intimacy and affinity space. ’, Media, Culture & Society, 41:5, pp. 60419.
    [Google Scholar]
  24. Rheingold, H.. ( 2012), Net Smart: How to Thrive Online, Cambridge, MA:: MIT Press;.
    [Google Scholar]
  25. Shome, R.. ( 2016;), ‘ When postcolonial studies meets media studies. ’, Critical Studies in Media Communication, 33:3, pp. 24563.
    [Google Scholar]
  26. Swan, L. A.. ( 2018;), ‘ Transnational identities and feeling in fandom: Place and embodiment in K-pop fan reaction videos. ’, Communication, Culture and Critique, 11:4, pp. 54865.
    [Google Scholar]
  27. Tanakasempipat, P.. ( 2020;), ‘ K-pop’s social media power spurs Thailand’s youth protests. ’, Reuters, 2 November, https://www.reuters.com/article/us-thailand-protests-k-pop-idUSKBN27I23K. Accessed 1 March 2021.
    [Google Scholar]
  28. Thussu, D. K.. ( 2006;), ‘ Contra-flow in global media: An Asian perspective. ’, Media Asia, 33:3&4, pp. 12329.
    [Google Scholar]
  29. Wooten, J.,, Geerling, W., and Calma, A.. ( 2020;), ‘ Diversifying the use of pop culture in the classroom: Using K-pop to teach principles of economics. ’, SSRN, 17 November, http://dx.doi.org/10.2139/ssrn.3732471. Accessed 2 March 2021.
    [Google Scholar]
  30. Yoon, K.. ( 2019;),‘ Transnational fandom in the making: K-pop fans in Vancouver. ’, International Communication Gazette, 81:2, pp. 17692.
    [Google Scholar]
  31. Zaveri, M.. ( 2020;), ‘ BTS fans say they’ve raised $1 million for Black Lives Matter groups. ’, New York Times, 8 June, https://www.nytimes.com/2020/06/08/arts/music/bts-donate-black-lives-matter.html. Accessed 20 March 2021.
    [Google Scholar]
  32. Yoon, Kyong. ( 2021;), ‘ K-pop pedagogy in the digital platform era. ’, International Journal of Media & Cultural Politics, 17:2, pp. 183190, https://doi.org/10.1386/macp_00047_7
    [Google Scholar]
http://instance.metastore.ingenta.com/content/journals/10.1386/macp_00047_7
Loading
  • Article Type: Commentary
This is a required field
Please enter a valid email address
Approval was a success
Invalid data
An error occurred
Approval was partially successful, following selected items could not be processed due to error