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In her performance My Name is Ape or the Little Tree Theatre that took place in a birch, Austrian artist Johanna Kirsch changed position in a double sense: she used a tree as a stage scene, and played with the idea of degeneration, or, how it would be to behave like an ape. She was also posing three important questions: how to inhabit the world, how to get along with others and how to get beyond the neve-ending performance cultureV predstavi My Name is Ape or the Little Tree Theatre (Ime mi je opica ali Mali teater na drevesu), ki se je odvijala na brezi, je avstrijska umetnica Johanna Kirsch spremenila svoj položaj v dveh smislih: drevo je uporabila kot odrsko sceno in se hkrati poigrala z idejo o izrojenosti oziroma o tem, kako bi bilo biti opica. V njej je zastavila tri vprašanja: kako živeti v svetu, kako sobivati z drugimi in kako preseči večno kulturo performansa