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This talk on the strategy of (re)naming is based on the inquirer’s notion that breaking the rules is the condition of critical artwork, understood as a form of activist intervention through arts. Disidentification, a paradigmatic emancipatory operation, could therefore potentially be inscribed in an act of refusing the given name and inventing a new one – not only acting against the terror of identification in general, but also against art as a potentially dangerous identification toolTa pogovor o strategiji (pre)imenovanja temelji na izpraševalčevem prepričanju, da je kršenje pravil pogoj za kritično umetniško delo, ki je pojmovano kot oblika aktivistične intervencije s pomočjo umetnosti. Tako se kaže možnost, da dezidentifikacijo, ta paradigmatski emancipacijski postopek, vnesemo v dejanje zavrnitve danega in izumljanja novega imena – pri tem ne gre le za dejanje zoper grozljivost identifikacije na splošno, temveč tudi zoper umetnost kot potencialno nevarno orodje za identifikacijo