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1981
Volume 28 Number 157
  • ISSN: 1318-0509
  • E-ISSN: 2050-957X

Abstract

Abstract

A series of discussions about Slovenian cultural politics from the viewpoint of managers and creators of the performing arts. We interview three practitioners, producers and artists who question and contextualize their own actions. Simon Kardum has transitioned from activist to practitioner, from dreamer to politician. He is the manager of the public institution CUK Kino Šiška. Janez Janša considers the relationship between the public and private cultural sectors. He describes what the differences between the two are and were, and what they could be, and the consequences of erasing these differences. He is the longtime manager of Maska Institute, one of the biggest NGOs in the field of the performing arts in Slovenia. Iztok Kovac is a pragmatist, thinks in the long-term and focuses on the institution in the context of the individual and the contemporary dance genre. He is a pioneer in institutionalizing Slovenian contemporary dance and the manager of the Španski Borci Culture Centre. The interviewees see more errors and possibilities for development in the areas that they are perhaps less familiar with. Between the lines, we find space for possible dialogue, common work for a common cause.

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/content/journals/10.1386/maska.28.157-158.31_1
2013-10-01
2024-09-17
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