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1981
Volume 29 Number 161
  • ISSN: 1318-0509
  • E-ISSN: 2050-957X

Abstract

Abstract

This article focuses on the relation of women artists toward the problem of the body and woman as Other in performance art practices. It addresses the changes in corporeal politics and the procedures of governmentality in contemporary society through a debut performance by the young Croatian dancer and choreographer Nataša Mihoci entitled Nobody Is Innocent. Further, it scrutinises representations of women in popular culture, the production of the image and its effects on the process of subjectivation.

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/content/journals/10.1386/maska.29.161-162.134_1
2014-03-01
2024-09-18
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