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1981
Volume 29 Number 165
  • ISSN: 1318-0509
  • E-ISSN: 2050-957X

Abstract

Abstract

Courbet's 'The Painter's Studio' opens the whole field of modernist art's mission. After an introductory explanation of the painting, we enter its immediate context: the year 1855, when it was exhibited on the opposite side of the entrance to the Universal Exposition. There is another context, that of the atelier as such: the atelier was a common name for artisans' workshops and studios. But during this period, it became more than that. It was Louis Blanc's proposal for a solution to society's disorders: without ateliers as free associations of workers, the free market deteriorates into crisis. He had strong opponents. Their ideologue was Michel Chevalier, who claimed that only a free market without associationism could save modern society from its instabilities. Courbet's painting is an allegory of capitalist society and an image of the artist's atelier as a place from which a critical political economy of the world is revealed.

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2014-12-01
2024-09-17
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