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1981
Volume 31, Issue 181-182
  • ISSN: 1318-0509
  • E-ISSN: 2050-957X

Abstract

Abstract

Dominique Mercy first met Pina Bausch in the United States at a summer academy organized by the choreographer Paul Sanasardo. Telling of his experience of the New York dance scene in the beginning of the 70s, and how he perceived it as differing from both living as well as dancing in Europe, he moves on to provide a detailed account of the development of Pina Bausch’s questioning method.

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/content/journals/10.1386/maska.31.181-182.100_7
2016-12-01
2026-04-16

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