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The disintegration of the decades-old cultural model of interdependence between the public and non-governmental sectors and the self-employed and other individuals in culture coincides with the commercialisation of student forms of organisation, within the framework of which many independent cultural institutions were established and professionalised, such as ŠKUC, Radio Študent, Beletrina Publishing House, Kapelica Gallery... They are thus increasingly dependent on the measures adopted by cultural policy, which has regressed during the epidemic, and the situation of those working in the field of independent, non-governmental culture has further deteriorated. It is time to reflect on the exit strategies beyond the existing cultural model.