From the neoliberal to the Visegrad cultural policy?

Based on an overview of the key features of neoliberal cultural policy, this contribution focuses on the question of whether it is possible to detect the emergence of a new cultural-political paradigm in Slovenia from March 2020 onwards. I am particularly interested in the relationship between the expert commissions and the representatives of the Ministry of Culture or the Minister, and at the same time in the rotation of staff in key public institutions and their legitimation. As I demonstrate, it would be difficult to speak of a radically new cultural-political paradigm in the last year, but rather of the return of an aestheticist and socially indeterminate conception of art.