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The author interprets Danijela Zajcs performance Gravitacija perspektive (Gravity of Perspecitve), the second part of trilogy in progress, which methodologically combines and builds on the procedures of the artists previous works - sound, climbing and movement on suspended ropes, and elements of contemporary dance. As the writer points out, this is a notable crossing of genres; the work moves from contemporary circus to dance theatre in the context of the artist›s oeuvre.