Theatre as a space of empowerment and emphasis of voices

The theatre looks out from both directions. On the one hand, the artist’s (director’s) gaze determines our (spectator’s) gaze, and on the other hand, there is the question of whether the artist’s gaze is able to see through our eyes and, of course, whose eyes they are. Are they created by the theatre itself – in the name of all its direct creators and thus in its own image and according to its own wishes, or is ‘their studio’ also open to those who come to the theatre from the substance itself – from the living substance of the dramatic texts? So also to those who find it difficult to afford a theatre ticket. Is a theatre that does not look backwards, then, still credible as a universal or legitimate representation of the world and its social relations?