Skip to content
1981
Volume 39, Issue 221-222
  • ISSN: 1318-0509
  • E-ISSN: 2050-957X

Abstract

This text detects a current context collapse within the independent scene of dance and choreography. It looks at the political potential of artist-driven spaces and asks if and how they could provide a forum for debate and collective articulation.

With the platform and space in Stockholm as the main example, the text connects it to other practical initiatives such as (Performing Arts Forum), ICC (Imaginative Choreographic Center and PIM (Para Institutional Models). The text briefly touches on theories of the commons and aesthetic autonomy in order to raise a concern about the collective attention to art works and artistic practices, and propose a direction where the production of discourse within common spaces centres it.

Loading

Article metrics loading...

/content/journals/10.1386/maska_00193_1
2024-10-21
2025-06-16
Loading full text...

Full text loading...

/content/journals/10.1386/maska_00193_1
Loading
  • Article Type: Article
Keyword(s): artist writing; artist-run; autonomy; choreography; commons
This is a required field
Please enter a valid email address
Approval was a success
Invalid data
An error occurred
Approval was partially successful, following selected items could not be processed due to error
Please enter a valid_number test