The dualities of artificial presence and authenticity

Reflecting on Katja Legin’s piece A House a Home (Hiša Dom), Maša Radi Buh pays less attention to the concretization of individual moments, but rather focuses her thoughts on the relationship between the theatrical, the performative, and the movement. In both the language of the performance and the presence of Legin the text recognizes a (co)existence in dualities which in no way simplify, but rather reflect the complexity of maternal and other care work in relation to the contemporary woman.