f Editorial

By addressing our own situatedness in the semi-periphery with Yugofuturism, a future imaginary with which Maska had been concerned with lately, the problem expanded to other peripheries and to the concept of periphery itself. This became ever more relevant when talking to people from the field that come from geographical or other kinds of margins. A series of lucky coincidences, which became more and more curated from both sides, led to a collaboration with the dance scholar and dramaturge Jae Lee Kim from South Korea, who became the co-editor of this and the following issue of Maska. With her contribution, we’ve managed to expand the notion of Easterness and Southerness far beyond the European borders and put it into a global perspective.