Radical Mainstream: Independent Film, Video and Television in Britain, 1974–1990, Colin Perry (2020)

References

1. Dickinson, M.. ( 1999), Rogue Reels: Oppositional Film in Britain, 1945–90, London:: BFI Publishing;.
   [Google Scholar]
2. Fraser, N.. ( 1993;), ‘ Rethinking the public sphere: A contribution to the critique of actually existing democracy. ’, in C. Calhoun. (ed.), Habermas and the Public Sphere, Cambridge, MA:: MIT Press;, pp. 109–42.
   [Google Scholar]
3. Greavu, S., and Phillips, C.. ( 2021;), ‘ It’s not for you we did it #1. ’, EVA International: Little Did They Know , https://www.eva.ie/littledidtheyknow/its-not-for-you-we-did-it/. Accessed 20 July 2021.
4. Harbison, I.. ( 2021;), ‘ Or other, or both. ’, Afterall, 51, pp. 146–53.
   [Google Scholar]
5. Hill, J.. ( 2006), Cinema and Northern Ireland: Film, Culture and Politics, London:: BFI Publishing;.
   [Google Scholar]
6. Johnston, C.. ( 1982;), ‘ Maeve. ’, Screen, 22:4, pp. 54–71.
   [Google Scholar]
7. McLoone, M.. ( 1994;), ‘ National cinema and cultural identity: Ireland and Europe. ’, in J. Hill,, M. McLoone, and P. Hainsworth. (eds), Border Crossing: Film in Ireland, Britain and Europe, Belfast:: Institute of Irish Studies in association with the University of Ulster and British Film Institute;, pp. 146–73.
   [Google Scholar]
8. Warner, M.. ( 2002;), ‘ Publics and counterpublics. ’, Public Culture, 14:1, pp. 49–90.
   [Google Scholar]
9. Willemen, P.. ( 1994), Looks and Frictions: Essays in Cultural Studies and Film Theory, London and Bloomington, IN:: BFI and Indiana University Press;.
   [Google Scholar]