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1981
Volume 12, Issue 1
  • ISSN: 2045-6298
  • E-ISSN: 2045-6301

Abstract

Review of: , The Otolith Group, curated by Annie Fletcher

Reviewed by Michael Holly, University of Sussex

Irish Museum of Modern Art (IMMA), Dublin, Ireland,

7 July 2022-12 February 2023

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/content/journals/10.1386/miraj_00111_5
2023-11-14
2025-12-12
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References

  1. Barthes, Roland (1972), Mythologies (trans. A. Lavers), London: Jonathan Cape.
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  2. Baudrillard, Jean (1994), Simulacra and Simulation (trans. S. Faria Glaser), Ann Arbor, MI: University of Michigan Press.
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  3. Butler, Octavia (1997), Dawn, New York: Warner Books.
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  4. e-flux Announcements (2022), ‘The Otolith Group: Xenogenesis’, 7 July, https://www.e-flux.com/announcements/448255/the-otolith-groupxenogenesis/. Accessed 4 January 2023.
  5. Farocki, Harun (1988), Ein Bild, Germany: Harun Farocki Filmproduktion and Berlin-West.
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  6. Farocki, Harun (2004), ‘Phantom images’, Public, 29, pp. 1222.
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  7. Fisher, Mark ([2012] 2021), ‘Digital psychedelia: The Otolith Group’s Anathema’, in The Otolith Group and Megs Morley (eds), The Otolith Group: Xenogenesis, Dublin: IMMA Archive Books, pp. 3945.
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  8. Smith, Paul F. (2019), ‘The growing evidence for the importance of the Otoliths in spatial memory’, Frontiers in Neural Circuits, 13, pp. 114, https://doi.org/10.3389/fncir.2019.00066.
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  9. The Otolith Group and Morley, M. (eds) (2021), The Otolith Group: Xenogenesis, Dublin: IMMA Archive Books.
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