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Volume 13, Issue 1-2
  • ISSN: 2045-6298
  • E-ISSN: 2045-6301

Abstract

Review of: , curated by Stuart Comer and Michelle Kuo, Museum of Modern Art, New York City, 5 March–8 July 2023

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/content/journals/10.1386/miraj_00134_5
2024-12-31
2025-02-13
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References

  1. Boyle, Deirdre (1997), Subject to Change: Guerrilla Television Revisited, New York: Oxford University Press.
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  2. Comer, Stuart and Kuo, Michelle (2023), ‘Signals: How video changed the world’, Signals: How Video Transformed the World, exhibition catalogue, Museum of Modern Art, New York City, 5 March–8 July, pp. 1021.
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  3. Ingram, Marielle (2023), ‘Sondra Perry’, Signals: How Video Transformed the World, exhibition catalogue, Museum of Modern Art, New York City, 5 March–8 July, p. 150.
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  4. Levin, Erica (2022), The Channeled Image: Art and Media Politics after Television, Chicago, IL: University of Chicago Press.
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  5. Scott, Felicity D. (2023), ‘Stan VanDerBeek’, Signals: How Video Transformed the World, exhibition catalogue, Museum of Modern Art, New York City, 5 March–8 July, p. 42.
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  6. Uroskie, Andrew V. (2014), Between the Black Box and the White Cube: Expanded Cinema and Postwar Art, Chicago, IL and London: University of Chicago Press.
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  • Article Type: Other review
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