Cerne, Adriana (2006), ‘Fragment(s) of an analysis: Chantal Akerman’s News from Home (or a mother–daughter tale of two cities)’, in G.Pollock (ed.), Psychoanalysis and the Image: Transdisciplinary Perspectives, Oxford: John Wiley & Sons, pp. 194–222.
Flitterman-Lewis, Sandy (2003), ‘What’s behind her smile? Subjectivity and desire in Germaine Dulac’s The Smiling Madame Beudet and Chantal Akerman’s Jeanne Dielman, 23 Quai du Commerce, 1080 Bruxelles’, in A.Gwendolyn (ed.), Identity and Memory: The Films of Chantal Akerman, Carbondale, IL: Southern Illinois University Press, pp. 27–40.
Chantal Akerman: Travelling, curated by Laurence Rassel, Jeu de Paume, Paris, 28 September 2024–19 January 2025
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