A mermaid’s song in distortion: The recreation of ancient myth by a medieval metal band

References

1. Azéma, Anne. ( 2005;), ‘ “Une aventure vous dirai” performing medieval narrative. ’, in Evelyn Birge Vitz,, Nancy Freeman Regalado, and Marilyn Lawrence. (eds), Performing Medieval Narrative, Cambridge:: DS Brewer;, p. 209.
   [Google Scholar]
2. Bénard, Nicolas. ( 2004;), ‘ De la légende Viking au hard-rock: Les références culturelles du métal Nordique. ’, Nordiques, 5, pp. 55–68.
   [Google Scholar]
3. Calvert, Sandra L.. ( 2007;), ‘ Narrative stories. ’, in J. J. Arnett. (ed.), Encyclopedia of Children, Adolescents, and the Media, Thousand Oaks, CA:: Sage;, pp. 606–07.
   [Google Scholar]
4. Corvus Corax ( 2011;), ‘ Havfrue. ’, CD, Behßmokum Records .
5. Estampie ( 2013;), ‘ Harpans Kraft. ’, CD, Banshee / Qntaluz Records .
6. Forte, Angelo,, Oram, Richard, and Pedersen, Frederik. ( 2005), Viking Empires, Cambridge:: Cambridge University Press;.
   [Google Scholar]
7. Harrison, Jane Ellen. ( 1903;), ‘ Prolegomena to the study of Greek religion. ’, http://levigilant.com/Bulfinch_Mythology/bulfinch.englishatheist.org/proleg/Chapter5.htm#siren. Accessed 17 February 2019.
8. Hickam, Brian. ( 2014;), ‘ Amalgamated anecdotes: Perspectives on the history of metal music and culture studies. ’, https://www.researchgate.net/publication/280821974_Amalgamated_anecdotes_Perspectives_on_the_history_of_metal_music_and_culture_studies. Accessed 17 February 2018.
9. Jenkins, Henry. ( [2003] 2004;), ‘ Quentin Tarantino’s Star Wars? Digital cinema, media convergence, and participatory culture. ’, in H. Jenkins, and D. Thorburn. (eds), Rethinking Media Change: The Aesthetics of Transition, Cambridge, MA:: MIT Press;, pp. 281–312.
   [Google Scholar]
10. Jenkins, Henry. ( 2006), Convergence Culture: Where Old and New Media Collide, New York:: New York University Press;.
    [Google Scholar]
11. Jenkins, Henry. ( 2007;), ‘ Transmedia storytelling 101. ’, Confessions of an ACA-fan , http://www.henryjenkins.org/2007/03/transmedia_storytelling_101.html. Accessed 17 February 2019.
12. Kegan, Yrjänä. ( 2015), Subgenres of the Beast: A Heavy Metal Guide, Lulu.com.
    [Google Scholar]
13. Kreutziger-Herr, Annette. ( 2005;), ‘ Imagining medieval music. ’, https://www.academia.edu/433045/Imagining_Medieval_Music_a_Short_History1. Accessed 17 February 2019.
14. Lamoureux, Michael G.. ( 2009;), ‘ The influence of Vikings on European culture. ’, on The World-Tree Project, an interactive digital archive for the teaching and study of the Vikings , http://www.worldtreeproject.org/document/581. Accessed 17 February 2019.
15. Metsatöll ( 2010;), ‘ Küü. ’, CD , Santa Monica:: Universal Music Group;.
    [Google Scholar]
16. Moura, Renée Barbosa. ( 2014;), ‘ National imagery in Finnish folk metal: Lyrics, Facebook and beyond. ’, https://jyx.jyu.fi/dspace/handle/123456789/44243.
17. Nightwish ( 2004;), ‘ The Siren. ’, CD / LP, Kitee (Tempputupa Studios), Spinefarm, Nuclear Blast .
18. Nightwish ( 2011;), ‘ Turn Loose the Mermaids. ’, CD / LP , London, Spinefarm, Nuclear Blast.
    [Google Scholar]
19. North, Adrian C., and Hargreaves, David J.. ( 1999;), ‘ Music and adolescent identity. ’, Music Education Research, 1:1, pp. 75–92.
    [Google Scholar]
20. Renodeyn, Lorin. ( 2010;), ‘ Old Germanic heritage in metal music: A comparative study of present-day metal lyrics and their Old Germanic sources. ’, https://lib.ugent.be/fulltxt/RUG01/001/457/555/RUG01-001457555_2011_0001_AC.pdf. Accessed 17 February 2019.
21. Sinclair, Gary. ( 2013;), ‘ Spaces, emotion and heavy metal subcultural control: Music consumption and civilising processes. ’, doctoral thesis, Dublin Institute of Technology.
    [Google Scholar]
22. Smith, Anthony D.. ( 1984;), ‘ Ethnic myths and ethnic revivals. ’, Journal of European Sociology, 25:2, p. 288.
    [Google Scholar]
23. Svartsot ( 2010;), ‘ Havfruens Kvad. ’, CD , Eisenerz / Styria:, Napalm Records .
    [Google Scholar]
24. Tatar, Maria M.. ( 2002), The Annotated Classic Fairy Tales, New York:: W. W. Norton;.
    [Google Scholar]
25. Tears of Martyr ( 2013;), ‘ Mermaid and Loneliness. ’, CD, Tears of Martyr .
26. Walsh, Ashley. ( 2013;), ‘ A great heathen fist from the North: Vikings, Norse mythology and medievalism in Nordic extreme metal music. ’, MA thesis, https://www.duo.uio.no/bitstream/handle/10852/38505/Walsh-Master.pdf?sequence=1. Accessed 17 February 2019.
    [Google Scholar]
27. Weinstein, Deena. ( 2009), Heavy Metal: The Music and Its Culture, New York:: Perseus Books Group;.
    [Google Scholar]
28. Weinstein, Deena. ( 2014;), ‘ Pagan metal. ’, in Donna Weston, and Andy Bennet. (eds), Pop Pagans: Paganism and Popular Music, London:: Routledge;, pp. 58–75.
    [Google Scholar]
29. Welicoruss ( 2016;), ‘ Rusalka. ’, CD, Independent .
30. Mussies, M.. ( 2019;), ‘ A mermaid’s song in distortion: The recreation of ancient myth by a medieval metal band. ’, Metal Music Studies, 5:1, pp. 115–125, doi: 10.1386/mms.5.1.115_1
    [Google Scholar]