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1981
Volume 6, Issue 3
  • ISSN: 2052-3998
  • E-ISSN: 2052-4005

Abstract

The Shoah is an historical event that leaves its marks on Jewish memory and thought to this day. Broadly speaking, there are two lessons of the Shoah: a particularistic one – relevant to Jews only – and a universalistic lesson, for all peoples. This article examines how the memory of the Shoah and these lessons contribute to the formation of Jewish identity. Works considering the Shoah of three metal bands with prominent Jewish members will be used: one Israeli-Jewish band – Salem; and two multireligious American bands – Anthrax and Disturbed. I will start by analysing songs about the Shoah and continue with a broader look at their entire catalogues and interviews. The ideas expressed will be understood on the background of theories considering Jewish identity and metal music and culture. This qualitative research is therefore grounded in the methodology of the history of ideas. My main findings are: (1) Most metal songs about the Shoah were written by a band with prominent Jewish members. (2) It indeed functions as a living memory affecting Jewish identity – that is, values and sociopolitical beliefs. (3) All the songs analysed create engagement by arousing an emotional response in listeners. (4) While Jewish identity is clearly manifested in Salem and Disturbed’s David Draiman, it is almost absent from Anthrax’s works and Scott Ian’s ideas. (5) A stronger connection to the political realization of the Jews in Israel is likely to strengthen Jewish identity.

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2020-09-01
2026-04-21

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  • Article Type: Article
Keyword(s): David Draiman; history of ideas; Holocaust memory; Jewish identity; Salem; Scott Ian

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