Skip to content
1981
Metal Music Studies at the Intersection of Theory and Practice
  • ISSN: 2052-3998
  • E-ISSN: 2052-4005
Preview this article:

There is no abstract available.

Loading

Article metrics loading...

/content/journals/10.1386/mms_00054_2
2021-09-01
2024-07-23
Loading full text...

Full text loading...

/deliver/fulltext/mms/7/3/mms.7.3.351.html?itemId=/content/journals/10.1386/mms_00054_2&mimeType=html&fmt=ahah

References

  1. Brown, A. R.. ( 2011;), ‘ Heavy genealogy: Mapping the currents, contraflows and conflicts of the emergent field of metal studies, 1978–2010. ’, Journal for Cultural Research, 15:3, pp. 21342.
    [Google Scholar]
  2. Brown, A. R.. ( 2018;), ‘ A manifesto for metal studies: Or putting the “politics of metal” in its place. ’, Metal Music Studies, 4:2, pp. 34363.
    [Google Scholar]
  3. Cresswell, J. W.. ( 2013), Qualitative Inquiry & Research Design: Choosing Among Five Approaches, Los Angeles, CA:: Sage;.
    [Google Scholar]
  4. DiGioia, A., and Helfrich, L.. ( 2018;), ‘ “I’m sorry, but it’s true, you’re bringin’ on the heartache”: The antiquated methodology of Deena Weinsteen. ’, Metal Music Studies, 4:2, pp. 36574.
    [Google Scholar]
  5. Gaines, D.. ( 1998), Teenage Wasteland: Suburbia’s Dead End Kids, Chicago, IL:: University of Chicago Press;.
    [Google Scholar]
  6. Hickam, B.. ( 2015;), ‘ Amalgamated anecdotes: Perspectives on the history of metal music and culture studies. ’, Metal Music Studies, 1:1, pp. 523.
    [Google Scholar]
  7. Hill, R. L.. ( 2021;), ‘ When love and critique collide: Methodology, ontology, fandom and standpoint in metal research. ’, Metal Music Studies, 7:2, pp. 197210.
    [Google Scholar]
  8. Hill, R., and Spracklen, K.. ( 2010;), ‘ Introduction. ’, in R. Hill, and K. Spracklen. (eds), Heavy Fundamentalisms: Music, Metal and Politics, Oxford:: Interdisciplinary Press;, pp. viix.
    [Google Scholar]
  9. Hills, M.. ( 2002), Fan Cultures, London:: Routledge;.
    [Google Scholar]
  10. Hills, M.. ( 2004;), ‘ Strategies, tactics and the question of Un Lieu Propre: What/where is “Media theory”?. ’, Social Semiotics, 14:2, pp. 13349.
    [Google Scholar]
  11. Savigny, H., and Schaap, J.. ( 2018;), ‘ Putting the “studies” back into metal music studies. ’, Metal Music Studies, 4:3, pp. 54957.
    [Google Scholar]
  12. Spracklen, K., and Scott, N.. ( 2014;), ‘ Editorial. ’, Metal Music Studies, 1:1, pp. 34.
    [Google Scholar]
  13. Spracklen, K.,, Scott, N.,, Heritage, G., and Yavuz, M. S.. ( 2016;), ‘ How to be rejected. ’, Metal Music Studies, 2:2, pp. 14950.
    [Google Scholar]
  14. Walser, R.. ( 1993), Running with the Devil: Power, Gender and Madness in Heavy Metal Music, Hanover, NH:: Wesleyan University Press of New England;.
    [Google Scholar]
  15. Weinstein, D.. ( 1991), Heavy Metal: The Music and Its Culture, New York:: Lexington Books;.
    [Google Scholar]
/content/journals/10.1386/mms_00054_2
Loading
  • Article Type: Editorial
This is a required field
Please enter a valid email address
Approval was a success
Invalid data
An error occurred
Approval was partially successful, following selected items could not be processed due to error