Heavy metal made for children? Interrogating the adult/child divide in Heavysaurus’s heavy metal humour

References

1. Baker, Charley, and Brown, Brian. ( 2016;), ‘ Suicide, self-harm, and survival strategies in contemporary heavy metal music: A cultural and literary analysis. ’, Journal of Medieval Humanities, 37, pp. 1–17.
   [Google Scholar]
2. Bakhtin, Mikhail M.. ( 1986), Speech Genres and Other Late Essays (eds C. Emerson, and M. Holquist., trans. V. W. McGee), Austin, TX:: University of Texas Press;.
   [Google Scholar]
3. Barratt-Peacock, Ruth. ( 2020), Concrete Horizons: Romantic Irony in the Poetry of David Malouf and Samuel Wagan Watson, Berlin:: Peter Lang;.
   [Google Scholar]
4. Barratt-Peacock, Ruth, and Staite, Sophia. ( 2022;), ‘ Gothic trajectories of childhood: Play as a third space, affective dissonance, and the melodrama of Kamen Rider Kiva. ’, Aeternum: The Journal of Contemporary Gothic Studies, 9, pp. 1–14.
   [Google Scholar]
5. Bayman, Louis. ( 2018;), ‘ The sorrow and the piety: Melodrama rethought in postwar Italian cinema. ’, in C. Gledhill, and L. Williams. (eds), Melodrama Unbound: Across History, Media, and National Cultures, New York:: Columbia University Press;, pp. 273–87.
   [Google Scholar]
6. Berkers, Pauwke, and Schaap, Julian. ( 2018), Gender Inequality in Metal Music Production, Bingley:: Emerald Press;.
   [Google Scholar]
7. Black Sabbath ( 1970), Paranoid, LP, Vertigo Records;.
   [Google Scholar]
8. Brooks, Peter. ( 1976), The Melodramatic Imagination: Balzac, Henry James, Melodrama, and the Mode of Excess, New Haven, CT and London:: Yale University Press;.
   [Google Scholar]
9. Christol, Florent. ( 2019;), ‘ Heavy metal carnival: Trick or Treat and the cultural figure of the foolkiller. ’, in G. Bayer. (ed.), Heavy Metal at the Movies, New York:: Routledge;. pp. 98–111.
   [Google Scholar]
10. Cross, Julie. ( 2007;), ‘ Frightening and funny: Humour in children’s Gothic fictions. ’, in A. Jackson,, R. McGillis, and K. Coats. (eds), The Gothic in Children’s Literature: Haunting the Borders, New York and London:: Routledge;, pp. 57–76.
    [Google Scholar]
11. Dark-Art ( 2020;), ‘ Review: Heavysaurus – Retter der Welt. ’, 25 March, https://www.dark-art.de/review-heavysaurus-retter-der-welt. Accessed 15 November 2021.
12. Fish, Stanley. ( 1980), Is There a Text in This Class? The Authority of Interpretive Communities, Cambridge, MA:: Harvard University Press;.
    [Google Scholar]
13. Gardenour, Walter. ( 2019;), ‘ Satanic bowels: Medieval inversion and the black metal grotesque. ’, in R. Barratt-Peacock, and R. Hagen. (eds), Medievalism and Metal Music Studies: Throwing Down the Gauntlet, Bingley:: Emerald Press;, pp. 171–80.
    [Google Scholar]
14. Garlen, Julie. ( 2019;), ‘ Interrogating innocence: “Childhood” as an exclusionary social practice. ’, Childhood, 26:1, pp. 54–67.
    [Google Scholar]
15. Giuffre, Liz. ( 2013;), ‘ Top of the tots: The Wiggles as Australia’s most successful (under-acknowledged) sound media export. ’, Media International Australia, 148:1, pp. 145–54.
    [Google Scholar]
16. Gledhill, Christine. ( 2018;), ‘ Prologue: The reach of melodrama. ’, in C. Gledhill, and L. Williams. (eds), Melodrama Unbound: Across History, Media, and National Cultures, New York:: Columbia University Press;, pp. ix–xxv.
    [Google Scholar]
17. Grenby, M. O.. ( 2009;), ‘ The origins of children’s literature. ’, in M. O. Grenby, and A. Immel. (eds), The Cambridge Companion to Children’s Literature, Cambridge:: Cambridge University Press;, pp. 3–18.
    [Google Scholar]
18. Halnon, Karen Bettez, and Gunasekera, Harini D.. ( 2019;), ‘ Carnival culture. ’, in L. Grindstaff,, M.-C. M. Lo, and J. R. Hall. (eds), Routledge Handbook of Cultural Sociology, London:: Routledge;, pp. 177–86.
    [Google Scholar]
19. Hill, Rosemary Lucy,, Richards, Daisy, and Savigny, Heather. ( 2021;), ‘ Normalising sexualised violence in popular culture: Eroding, erasing and controlling women in rock music. ’, Feminist Media Studies, https://doi.org/10.1080/14680777.2021.1902368. Accessed 27 September 2022.
    [Google Scholar]
20. Holt, John. ( 1975), Escape from Childhood, Harmondsworth:: Penguin;.
    [Google Scholar]
21. Jocson-Singh, Joan. ( 2019;), ‘ Vigilante feminism as a form of musical protest in extreme metal music. ’, Metal Music Studies, 5:2, pp. 263–73.
    [Google Scholar]
22. Kakoudaki, Despina. ( 2018;), ‘ Melodrama and apocalypse: Politics and the melodramatic modes in Contagion. ’, in C. Gledhill, and L. Williams. (eds), Melodrama Unbound: Across History, Media, and National Cultures, New York:: Columbia University Press;, pp. 311–24.
    [Google Scholar]
23. Kästner, Erich. ( 1985;), ‘ Das Lied vom Kleinen Mann. ’ (‘The song of the little man’) , in E. Kästner. (ed.), Wieso, warum?: ausgewählte Gedichte 1928–1955 (‘Why? Selected poems 1928–1955’), Berlin:: Aufbau-Verlag;, pp. 199–200.
    [Google Scholar]
24. Kümmerling-Meibauer, Bettina. ( 2008;), ‘ Images of childhood in romantic children’s literature. ’, in G. Gillespie,, M. Engel, and B. Dieterle. (eds), Romantic Prose Fiction, Amsterdam:: Benjamins;, pp. 183–203.
    [Google Scholar]
25. Maloy, Liam. ( 2021), Spinning the Child: Music Constructions of Childhood through Records, Radio and Television, New York:: Routledge;.
    [Google Scholar]
26. McGowen, Phillip. ( 2001), American Carnival: Seeing and Reading American Culture, Westport, CT:: Greenwood Press;.
    [Google Scholar]
27. McMillan, Kevin. ( 2018), The Constitution of Social Practices, Milton:: Taylor & Francis;.
    [Google Scholar]
28. Moore, Ryan M.. ( 2009;), ‘ The unmaking of the English working class: Deindustralization, reification, and the origins of heavy metal. ’, in G. Bayer. (ed.), Heavy Metal Music in Britain, London:: Routledge;, pp. 143–60.
    [Google Scholar]
29. Moss, Peter, and Petrie, Pat. ( 2002), From Children’s Services to Children’s Spaces: Public Policy, Children and Childhood, New York:: RoutledgeFalmer;.
    [Google Scholar]
30. Pink Floyd ( 1979;), ‘ Another Brick in the Wall. ’, The Wall, LP, Harvest.
    [Google Scholar]
31. Pribram, E. Deidre. ( 2018;), ‘ Melodrama and the aesthetics of emotion. ’, in C. Gledhill, and L. Williams. (eds), Melodrama Unbound: Across History, Media, and National Cultures, New York:: Columbia University Press;, pp. 237–51.
    [Google Scholar]
32. Sackl-Sharif, Susanne. ( 2018;), ‘ Von typischen metal-sounds und “femininem Touch hinter dem Gebrüll”. ’ (‘On typical metal sounds and “the feminine touch behind the shouting”’) , in B. Brabec de Mori, and M. Winter. (eds), Auditive Wissenskulturen, Berlin:: Springer;.
    [Google Scholar]
33. Schlegel, Friedrich, and Behler, Ernst. ( [1801] 1967), Charakteristiken und Kritiken: 1796–1801 (‘Characteristics and critiques: 1796–1801’), Munich:: Thomas;.
    [Google Scholar]
34. Spracklen, Karl. ( 2018), Metal Music and the Re-Imagining of Masculinity, Place, Race, and Nation, Bingley:: Emerald;.
    [Google Scholar]
35. Staite, Sophia. ( 2021;), personal correspondence. , Hobart, Tasmania:, 4 May.
    [Google Scholar]
36. Taylor, Bron. ( 2010), Dark Green Religion, Oakland, CA:: University of California Press;.
    [Google Scholar]
37. Waksler, Frances Chaput. ( 1991;), ‘ The hard times of childhood. ’, Studying the Social Worlds of Children: Sociological Readings, London:: Routledge;, pp. 216–34.
    [Google Scholar]
38. Wall, Barbara. ( 1991), The Narrator’s Voice: The Dilemma of Children’s Fiction, London:: Macmillan;.
    [Google Scholar]
39. Weinstein, Deena. ( 2000), Heavy Metal: The Music and Its Culture, New York:: Da Capo Press;.
    [Google Scholar]
40. Weinstein, Deena. ( 2019;), ‘ Humor in metal music. ’, in T. M. Kitts, and N. Baxter-Moore. (eds), The Routledge Companion to Popular Music and Humor, New York:: Routledge;, pp. 66–75.
    [Google Scholar]
41. Barratt-Peacock, Ruth. ( 2022;), ‘ Heavy metal made for children? Interrogating the adult/child divide in Heavysaurus’s heavy metal humour. ’, Metal Music Studies, 8:3, pp. 293–308, https://doi.org/10.1386/mms_00082_1
    [Google Scholar]