Running with the Devil: Power, Gender, and Madness in Heavy Metal Music, Robert Walser ([1993] 2014) | Intellect Skip to content
1981
Volume 8, Issue 3
  • ISSN: 2052-3998
  • E-ISSN: 2052-4005

Abstract

Review of: , Robert Walser ([1993] 2014)

Middletown, CT: Wesleyan University Press, 230 pp.,

ISBN 978-0-81957-514-2, p/bk, £18.50

Loading

Article metrics loading...

/content/journals/10.1386/mms_00088_5
2022-09-01
2024-04-25
Loading full text...

Full text loading...

References

  1. Bangs, L.. ( 1980;), ‘ Heavy metal. ’, in J. Miller. (ed.), The Rolling Stone Illustrated History of Rock & Roll, , 2nd ed.., New York:: Random House;, pp. 33235.
    [Google Scholar]
  2. Berger, H. M.. ( 1999), Metal, Rock, and Jazz: Perception and the Phenomenology of Musical Experience, Hanover, NH:: Wesleyan University Press;.
    [Google Scholar]
  3. Brown, A. R.. ( 2001;), ‘ Weinstein and Walser: A core agenda for the study of heavy metal?. ’, unpublished paper.
  4. Brown, A. R.. ( 2011a;), ‘ No method in the madness? The problem of the cultural reading in Robert Walser’s Running with the Devil: Power Madness and Gender in Heavy Metal Music and Recent Metal Studies. ’, in C. A. McKinnon,, N. W. R. Scott, and K. Sollee. (eds), Can I Play with Madness? Metal, Dissonance, Madness and Alienation, Oxford:: Inter-Disciplinary Press;, pp. 6372, https://doi.org/10.1163/9781848880573_008. Accessed 20 September 2022.
    [Google Scholar]
  5. Brown, A. R.. ( 2011b;), ‘ Heavy genealogy: Mapping the currents, contraflows and conflicts of the emergent field of metal studies, 1978–2010. ’, Journal for Cultural Research, 15:3, July, pp. 21342, https://doi.org/10.1080/14797585.2011.594579. Accessed 20 September 2022.
    [Google Scholar]
  6. Brown, A. R.. ( 2012;), ‘ Gerd Bayer (ed.) Heavy Metal Music in Britain. ’, review, Volume! The French Journal of Popular Music Studies, 9:2, pp. 22023, https://doi.org/10.4000/volume.3330. Accessed 20 September 2022.
    [Google Scholar]
  7. Brown, A. R.. ( 2016;), ‘ Girls like metal, too! Female readers engagement with the masculinist culture of the tabloid metal magazine. ’, in F. Heesch, and N. R. W. Scott. (eds), Heavy Metal, Gender and Sexuality: Interdisciplinary Approaches, Farnham:: Ashgate;, pp. 16381.
    [Google Scholar]
  8. DiGioia, A., and Helfrich, L.. ( 2018;), ‘ “I’m sorry, but it’s true, you’re bringin’ on the heartache”: The antiquated methodology of Deena Weinstein. ’, Metal Music Studies, 4:2, pp. 36574.
    [Google Scholar]
  9. Hill, R. L.. ( 2021;), ‘ When love and critique collide: Methodology, ontology, fandom and standpoint in metal research. ’, Metal Music Studies, 7:2, pp. 197210.
    [Google Scholar]
  10. Kaplan, E. A.. ( 1987), Rocking Around the Clock: Music Television, Postmodernism, and Consumer Culture, New York:: Methuen;.
    [Google Scholar]
  11. McGuigan, J.. ( 1992), Cultural Populism, London:: Routledge;.
    [Google Scholar]
  12. Moberg, M.. ( 2017;), ‘ Heavy metal. ’, in C. Partridge, and M. Moberg. (eds), The Bloomsbury Handbook of Religion and Popular Music, London and New York:: Bloomsbury Academic;, pp. 22331.
    [Google Scholar]
  13. Nelson, P. A.,, Treichler, C., and Grossberg, L.. (eds) ( 2009), Cultural Studies, New York:: Routledge;.
    [Google Scholar]
  14. Overell, R.. ( 2013;), ‘ “[I] hate girls and emo[tion]s”: Negotiating masculinity in grindcore music. ’, in T. Hjelm,, K. Kahn-Harris, and M. LeVine. (eds), Heavy Metal: Controversies and Countercultures, London:: Equinox Publishing;, pp. 20127.
    [Google Scholar]
  15. Patterson, J. E.. ( 2016;), ‘ “Getting My Soul Back” empowerment narratives and identities among women in extreme metal in North Carolina. ’, in A. R. Brown,, K. Spracklen,, K. Kahn-Harris, and N. W. R. Scott. (eds), Global Metal Music and Culture: Current Directions in Metal Studies, New York:: Routledge;, pp. 24560, https://www.taylorfrancis.com/chapters/oa-edit/10.4324/9781315742816-19/getting-soul-back-jamie-patterson?context=ubx&refId=66c21938-3d8c-4e26-afd8-1375d6644a39. Accessed 20 September 2022.
    [Google Scholar]
  16. Phillipov, M.. ( 2009;), ‘ Gerd Bayer (2009) Heavy Metal Music in Britain. ’, review, IASPM, 9 June, https://www.iaspm.net/gerd-bayer-2009-heavy-metal-music-in-britain/. Accessed 20 September 2022.
    [Google Scholar]
  17. Vasan, S.. ( 2011;), ‘ The price of rebellion: Gender boundaries in the death metal scene. ’, Journal for Cultural Research, 15:3, July, pp. 33349.
    [Google Scholar]
  18. Vasan, S.. ( 2016;), ‘ Gender and power in the death metal scene: A social exchange perspective. ’, in A. R. Brown,, K. Spracklen,, K. Kahn-Harris, and N. W. R. Scott. (eds), Global Metal Music and Culture: Current Directions in Metal Studies, New York:: Routledge;, pp. 26175, https://www.taylorfrancis.com/chapters/oa-edit/10.4324/9781315742816-20/gender-power-death-metal-scene-sonia-vasan?context=ubx&refId=ebbd0e64-f533-41b6-a04a-37b638195b6f. Accessed 20 September 2022.
    [Google Scholar]
  19. Wallach, J.,, Berger, H. M., and Greene, P. D.. ( 2012), Metal Rules the Globe: Heavy Metal Music Around the World, Durham, NC:: Duke University Press;.
    [Google Scholar]
  20. Walser, R.. ( 2010;), ‘ Heavy Metal Music in Britain (review). ’, Music Library Association, 66:4, pp. 77374, https://www.researchgate.net/publication/265903640_Heavy_Metal_Music_in_Britain_review. Accessed 20 September 2022.
    [Google Scholar]
  21. Weinstein, D.. ( [1991] 2000), Heavy Metal: The Music and Its Culture, New York:: Da Capo Press;.
    [Google Scholar]
http://instance.metastore.ingenta.com/content/journals/10.1386/mms_00088_5
Loading
  • Article Type: Book Review
This is a required field
Please enter a valid email address
Approval was a success
Invalid data
An error occurred
Approval was partially successful, following selected items could not be processed due to error