Skip to content
1981
Volume 10, Issue 1
  • ISSN: 2052-3998
  • E-ISSN: 2052-4005

Abstract

An exploratory study was conducted to investigate the relationship between heavy metal music and sexism based on metal subgenre preferences, lyrical preferences, artwork preferences and associated consumer behaviours. Previous literature has been inconsistent in defining the relationship between music, lyrics and sexism. Data was collected from 423 fans of heavy metal music including their subgenre, lyrical and album cover content preferences, affective responses to lyrics and album artwork, and intended consumer behaviours respective to metal music with misogynistic themes. It was found that the style of metal music preferred by listeners, including specific subgenres of styles associated with misogynistic themes like death metal, was unrelated to sexism. Hostile sexism was higher among those that preferred lyrics and imagery depicting misogynistic violence. Those higher in hostile sexism experienced more positive and less aversive emotions in response to both lyrics and imagery that depicted misogynistic violence, and they reported being more likely to buy albums, clothing, wear clothing and hang posters in their homes that depicted misogynistic violence. This provides evidence that enjoyment of specific styles of metal music is not associated with sexism, but there may be a subgroup of more sexist individuals that are especially drawn to lyrics and images depicting misogynistic violence in heavy metal.

Loading

Article metrics loading...

/content/journals/10.1386/mms_00126_1
2024-05-23
2026-04-22

Metrics

Loading full text...

Full text loading...

References

  1. Aarons, H. (2018), ‘Moral distinction: Religion, musical taste and the moral cultural consumer’, Journal of Consumer Culture, 21:2, pp. 296316, https://doi.org/10.1177/1469540518787584.
    [Google Scholar]
  2. Agadullina, E., Lovakov, A., Balezina, M. and Gulevich, O. A. (2022), ‘Ambivalent sexism and violence toward women: A meta-analysis’, European Journal of Social Psychology, 52:5–6, pp. 81959, https://doi.org/10.1002/ejsp.2855.
    [Google Scholar]
  3. Anderson, C. A., Carnagey, N. L. and Eubanks, J. (2003), ‘Exposure to violent media: The effects of songs with violent lyrics on aggressive thoughts and feelings’, Journal of Personality and Social Psychology, 84:5, pp. 96071, https://doi.org/10.1037/0022-3514.84.5.960.
    [Google Scholar]
  4. Baker, F. and Bor, W. (2008), ‘Can music preference indicate mental health status in young people?’, Australasian Psychiatry: Bulletin of Royal Australian and New Zealand College of Psychiatrists, 16:4, pp. 28488, https://doi.org/10.1080/10398560701879589.
    [Google Scholar]
  5. Bald, M. (2011), Literature Suppressed on Religious Grounds, New York: Facts on File.
    [Google Scholar]
  6. Bareket, O. and Fiske, S. T. (2023), ‘A systematic review of the ambivalent sexism literature: Hostile sexism protects men’s power; benevolent sexism guards traditional gender roles’, Psychological Bulletin, 149:11–12, pp. 63798, https://doi.org/10.1037/bul0000400.
    [Google Scholar]
  7. Batara, J. B. L. (2016), ‘Religious song as a facilitator of prosocial behavior’, International Journal of Research Studies in Psychology, 5:1, pp. 312, https://doi.org/10.5861/ijrsp.2015.1208.
    [Google Scholar]
  8. Bleecker, E. T. and Murnen, S. K. (2005), ‘Fraternity membership, the display of degrading sexual images of women, and rape myth acceptance’, Sex Roles, 53:7–8, pp. 48793, https://doi.org/10.1007/s11199-005-7136-6.
    [Google Scholar]
  9. Carlson, C. L. (2018), ‘Jazz, drama, and a librarian: Advocating against book censorship in public schools’, Kansas English, 99:1, pp. 812.
    [Google Scholar]
  10. Chaker, S. (2016), ‘What is “male” about black and death metal music? An empirical approach’, in F. Heesch and N. Scott (eds), Heavy Metal, Gender and Sexuality, London and New York: Routledge, pp. 14762.
    [Google Scholar]
  11. Cross, E. J., Overall, N. C., Low, R. S. and McNulty, J. K. (2019), ‘An interdependence account of sexism and power: Men’s hostile sexism, biased perceptions of low power, and relationship aggression’, Journal of Personality and Social Psychology, 117:2, pp. 33863, https://doi.org/10.1037/pspi0000167.
    [Google Scholar]
  12. Dawes, L. (2012), What Are You Doing Here? A Black Woman’s Life and Liberation in Heavy Metal, New York: Bazillion Points.
    [Google Scholar]
  13. Ferguson, C. J. and Kilburn, J. (2009), ‘The public health risks of media violence: A meta-analytic review’, The Journal of Pediatrics, 154:5, pp. 75963, https://doi.org/10.1016/j.jpeds.2008.11.033.
    [Google Scholar]
  14. Fingerhut, J., Gomez-Lavin, J., Winklmayr, C. and Prinz, J. J. (2021), ‘The aesthetic self. the importance of aesthetic taste in music and art for our perceived identity’, Frontiers in Psychology, 11, pp. 118, https://doi.org/10.3389/fpsyg.2020.577703.
    [Google Scholar]
  15. Fischer, P. and Greitemeyer, T. (2006), ‘Music and aggression: The impact of sexual-aggressive song lyrics on aggression-related thoughts, emotions, and behavior toward the same and the opposite sex’, Personality and Social Psychology Bulletin, 32:9, pp. 116576, https://doi.org/10.1177/0146167206288670.
    [Google Scholar]
  16. Forbes, G. B., Adams-Curtis, L. E., Pakalka, A. H. and White, K. B. (2006), ‘Dating aggression, sexual coercion, and aggression-supporting attitudes among college men as a function of participation in aggressive high school sports’, Violence against Women, 12:5, pp. 44155, https://doi.org/10.1177/10778012062881.
    [Google Scholar]
  17. Giles, D. C., Pietrzykowski, S. and Clark, K. E. (2007), ‘The psychological meaning of personal record collections and the impact of changing technological forms’, Journal of Economic Psychology, 28:4, pp. 42943, https://doi.org/10.1016/j.joep.2006.08.002.
    [Google Scholar]
  18. Glick, P. and Fiske, S. T. (1996), ‘The ambivalent sexism inventory: Differentiating hostile and benevolent sexism’, Journal of Personality and Social Psychology, 70:3, pp. 491512, https://doi.org/10.1037/0022-3514.70.3.491.
    [Google Scholar]
  19. Greitemeyer, T. (2011), ‘Exposure to music with prosocial lyrics reduces aggression: First evidence and test of the underlying mechanism’, Journal of Experimental Social Psychology, 47:1, pp. 2836, https://doi.org/10.1016/j.jesp.2010.08.005.
    [Google Scholar]
  20. Greitemeyer, T., Hollingdale, J. and Traut-Mattausch, E. (2015), ‘Changing the track in music and misogyny: Listening to music with pro-equality lyrics improves attitudes and behavior toward women’, Psychology of Popular Media Culture, 4:1, pp. 5667, https://doi.org/10.1037/a0030689.
    [Google Scholar]
  21. Guéguen, N., Jacob, C. and Lamy, L. (2010), ‘“Love is in the air”: Effects of songs with romantic lyrics on compliance with a courtship request’, Psychology of Music, 38:3, pp. 30307, https://doi.org/10.1177/0305735609360428.
    [Google Scholar]
  22. Haggard, M. C., Kaelen, R., Saroglou, V., Klein, O. and Rowatt, W. C. (2019), ‘Religion’s role in the illusion of gender equality: Supraliminal and subliminal religious priming increases benevolent sexism’, Psychology of Religion and Spirituality, 11:4, pp. 39298, https://doi.org/10.1037/rel0000196.
    [Google Scholar]
  23. Halicki, K., Hauser, R. and Wanke, M. (2023), ‘When she is standing left, she might be blamed: Responsibility attribution for sexualized violence moderated by rape myth acceptance and benevolent sexism’, Violence against Women, 29:2, pp. 30020, https://doi.org/10.1177/10778012221108420.
    [Google Scholar]
  24. Harsey, S. J. and Zurbriggen, E. L. (2021), ‘Men and women’s self-objectification, objectification of women, and sexist beliefs’, Self and Identity, 20:7, pp. 86168, https://doi.org/10.1080/15298868.2020.1784263.
    [Google Scholar]
  25. Hjelm, T., Kahn-Harris, K. and LeVine, M. (2011), ‘Heavy metal as controversy and counterculture’, Popular Music History, 6:1–2, pp. 518, https://doi.org/10.1558/pomh.v6i1/2.5.
    [Google Scholar]
  26. Ivory, J. D. and Kalyanaraman, S. (2009), ‘Video games make people violent – well, maybe not that game: Effects of content and person abstraction on perceptions of violent video games’ effects and support of censorship’, Communication Reports, 22:1, pp. 112, https://doi.org/10.1080/08934210902798536.
    [Google Scholar]
  27. Jacob, C., Guéguen, N. and Boulbry, G. (2010), ‘Effects of songs with prosocial lyrics on tipping behaviour in a restaurant’, International Journal of Hospitality Management, 29:4, pp. 76163, https://doi.org/10.1016/j.ijhm.2010.02.004.
    [Google Scholar]
  28. Kalof, L. and Cargill, T. (1991), ‘Fraternity and sorority membership and gender dominance attitudes’, Sex Roles, 25:7–8, pp. 41723, https://doi.org/10.1007/BF00292531.
    [Google Scholar]
  29. Kiilakoski, T. and Oksanen, A. (2011), ‘Soundtrack of the school shootings: Cultural script, music and male rage’, Young, 19:3, pp. 24769, https://doi.org/10.1177/110330881101900301.
    [Google Scholar]
  30. Lee, M. S., Begun, S., DePrince, A. P. and Chu, A. T. (2016), ‘Acceptability of dating violence and expectations of relationship harm among adolescent girls exposed to intimate partner violence’, Psychological Trauma: Theory, Research, Practice and Policy, 8:4, pp. 48794, http://dx.doi.org/10.1037/tra0000130.
    [Google Scholar]
  31. Lyden, J. (2009), ‘Introduction’, in J. Lyden (ed.), The Routledge Companion to Religion and Film, London: Routledge, pp. 110.
    [Google Scholar]
  32. Martin, P. Y. and Hummer, R. A. (1989), ‘Fraternities and rape on campus’, Gender & Society, 3:4, pp. 45773, https://doi.org/10.1177/0891243890030040.
    [Google Scholar]
  33. Mast, J. F. and McAndrew, F. T. (2011), ‘Violent lyrics in heavy metal music can increase aggression in males’, North American Journal of Psychology, 13:1, pp. 6364.
    [Google Scholar]
  34. Meij, J. M., Probstfield, M. D., Simpson, J. M. and Knottnerus, J. D. (2013), ‘Moving past violence and vulgarity: Structural ritualization and constructed meaning in the heavy metal subculture’, in S. T. Horsefall, J. Meij and M. D. Probstfield (eds), Music Sociology, New York: Routledge, pp. 8493.
    [Google Scholar]
  35. Mendoza, S., Varas-Diaz, N., Rivera-Segarra, E. and Velez, C. (2018), ‘Media representations of metal music in the Dominican Republic: Between oppression and social resistance’, Metal Music Studies, 4:1, pp. 197208, https://doi.org/10.1386/mms.4.1.197_1.
    [Google Scholar]
  36. Messick, K. J. (2021), ‘Music industry in crisis: The impact of a novel coronavirus on touring metal bands, promoters, and venues’, in V. Bozkurt, G. Dawes, H. Gülerce and P. Westenbroek (eds), The Societal Impacts of Covid-19: A Transnational Perspective, Istanbul: Istanbul University Press, pp. 93108, https://doi.org/10.26650/B/SS49.2021.006.07.
    [Google Scholar]
  37. Messick, K. J. and Aranda, B. E. (2020), ‘The role of moral reasoning and personality in explaining lyrical preferences’, PLoS One, 15:1, https://doi.org/10.1371/journal.pone.0228057.
    [Google Scholar]
  38. Messick, K. J., Aranda, B. and Day, C. (2020), ‘The experiences of metal fans with mental and developmental disorders in the metal music community’, Metal Music Studies, 6:2, pp. 193214, https://doi.org/10.1386/mms_00013_1.
    [Google Scholar]
  39. Messick, K. J., Jong, J., van Mulukom, V. and Farias, M. (2023), ‘The nontheistic sacred: The psychological functions of metal music and artefacts’, The International Journal for the Psychology of Religion, 33:3, pp. 198213, http://dx.doi.org/10.1080/10508619.2023.2196898.
    [Google Scholar]
  40. Phillipov, M. (2012), Death Metal and Music Criticism: Analysis at the Limits, Lanham, MD: Lexington Books.
    [Google Scholar]
  41. Phillips, D. J. and Owens, D. A. (2004), ‘Incumbents, innovation, and competence: The emergence of recorded jazz, 1920 to 1929’, Poetics, 32:3–4, pp. 28195, https://doi.org/10.1016/j.poetic.2004.06.003.
    [Google Scholar]
  42. Ren, Y., Guglielmi, A. and Maestripieri, L. (2023), ‘Gender inequalities at work in Southern Europe’, METRON, 81:3, pp. 297322.
    [Google Scholar]
  43. Rogers, A. S. and Deflem, M. (2021), Doing Gender in Heavy Metal, London and New York: Anthem Press.
    [Google Scholar]
  44. Ruth, N. (2017), ‘“Heal the World”: A field experiment on the effects of music with prosocial lyrics on prosocial behaviour’, Psychology of Music, 45:2, pp. 298304, https://doi.org/10.1177/0305735616652226.
    [Google Scholar]
  45. Seabrook, R. C., Ward, L. M. and Giaccardi, S. (2018), ‘Why is fraternity membership associated with sexual assault? Exploring the roles of conformity to masculine norms, pressure to uphold masculinity, and objectification of women’, Psychology of Men & Masculinity, 19:1, pp. 313, https://doi.org/10.1037/men0000076.
    [Google Scholar]
  46. Shadrack, J. H. (2020), ‘“Women! Stop Ruining Metal!”: Mapping extreme metal’, in J. H. Shadrack (ed.), Black Metal, Trauma, Subjectivity and Sound: Screaming the Abyss, Emerald Studies in Metal Music and Culture, Leeds: Emerald Publishing Limited, pp. 2356, https://doi.org/10.1108/978-1-78756-925-620211007.
    [Google Scholar]
  47. Spracklen, K. (2018), ‘Sex, drugs, Satan and rock and roll: Re-thinking dark leisure, from theoretical framework to an exploration of pop-rock-metal music norms’, Annals of Leisure Research, 21:4, pp. 40723, https://doi.org/10.1080/11745398.2017.1326156.
    [Google Scholar]
  48. Sprankle, E. L., End, C. M. and Bretz, M. N. (2012), ‘Sexually degrading music videos and lyrics: Their effects on males’ aggression and endorsement of rape myths and sexual stereotypes’, Journal of Media Psychology, 24:1, pp. 3139, https://doi.org/10.1027/1864-1105/a000060.
    [Google Scholar]
  49. Stermer, S. P. and Burkley, M. (2015), ‘SeX-Box: Exposure to sexist video games predicts benevolent sexism’, Psychology of Popular Media Culture, 4:1, pp. 4755, https://doi.org/10.1037/a0028397.
    [Google Scholar]
  50. Sun, Y., Lu, X., Williams, M. and Thompson, W. F. (2019), ‘Implicit violent imagery processing among fans and non-fans of music with violent themes’, Royal Society Open Science, 6:3, https://doi.org/10.1098/rsos.181580.
    [Google Scholar]
  51. Swami, V., Coles, R., Wyrozumska, K., Wilson, E., Salem, N. and Furnham, A. (2010), ‘Oppressive beliefs at play: Associations among beauty ideals and practices and individual differences in sexism, objectification of others, and media exposure’, Psychology of Women Quarterly, 34:3, pp. 36579, https://doi.org/10.1111/j.1471-6402.2010.01582.x.
    [Google Scholar]
  52. Thompson, W. F., Geeves, A. M. and Olsen, K. N. (2019), ‘Who enjoys listening to violent music and why?’, Psychology of Popular Media Culture, 8:3, pp. 21832, https://doi.org/10.1037/ppm0000184.
    [Google Scholar]
  53. Vasan, S. (2011), ‘The price of rebellion: Gender boundaries in the death metal scene’, Journal for Cultural Research, 15:3, pp. 33349, https://doi.org/10.1080/14797585.2011.594587.
    [Google Scholar]
  54. Vasan, S. (2016), ‘Gender and power in the death metal scene: A social exchange perspective’, in A. R. Brown, K. Spracklen, K. Kahn-Harris and N. W. R. Scott (eds), Global Metal Music and Culture, New York and London: Routledge, pp. 26176.
    [Google Scholar]
  55. Wester, S. R., Crown, C. L., Quatman, G. L. and Heesacker, M. (1997), ‘The influence of sexually violent rap music on attitudes of men with little prior exposure’, Psychology of Women Quarterly, 21:4, pp. 497508.
    [Google Scholar]
  56. Winfield, B. and Davidson, S. (1999), Bleep! Censoring Rock and Rap Music: Contributions to the Study of Popular Culture, Westport, CT: Greenwood Press.
    [Google Scholar]
  57. Zentner, M., Grandjean, D. and Scherer, K. R. (2008), ‘Emotions evoked by the sound of music: Characterization, classification, and measurement’, Emotion, 8:4, pp. 494521, https://doi.org/10.1037/1528-3542.8.4.494.
    [Google Scholar]
/content/journals/10.1386/mms_00126_1
Loading
/content/journals/10.1386/mms_00126_1
Loading

Data & Media loading...

This is a required field
Please enter a valid email address
Approval was a success
Invalid data
An error occurred
Approval was partially successful, following selected items could not be processed due to error
Please enter a valid_number test