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Ten years of Metal Music Studies
  • ISSN: 2052-3998
  • E-ISSN: 2052-4005

Abstract

A reflection on Andrew Cope’s book (2010).

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/content/journals/10.1386/mms_00146_7
2025-05-29
2026-04-12

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References

  1. Berger, Harris (1999), Metal, Rock, and Jazz: Perception and the Phenomenology of Musical Experience, Hanover and London: Wesleyan University Press.
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  2. Cope, Andrew L. (2010), Black Sabbath and the Rise of Heavy Metal Music, Farnham: Ashgate.
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  3. Kahn-Harris, Keith (2007), Extreme Metal: Music and Culture on the Edge, Oxford: Berg Publishers.
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  4. Lilja, Esa (2009), Theory and Analysis of Classic Heavy Metal Harmony, Helsinki: IAML Finland.
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  5. Walser, Robert (1993), Running with the Devil: Power, Gender, and Madness in Heavy Metal Music, Middletown, CT: Wesleyan University Press.
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  6. Weinstein, Deena (1991), Heavy Metal: A Cultural Sociology, Lanham, MD: Lexington Books.
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  7. Weinstein, Deena (2000), Heavy Metal: The Music and Its Culture Revised Edition, Boston, MA: Da Capo Press.
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