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This article explores how ensemble vocals contribute to the perception of heaviness in metal music. It argues that heaviness is not solely an instrumental attribute but may also be influenced by vocal techniques, arrangement and production. Drawing from Herbst and Mynett’s research on heaviness, the article analyses how that framework applies to ensemble vocals. It distinguishes between absolute aspects (e.g. distortion and frequency spectrum) and relational aspects (e.g. vocal clarity, psychoacoustic space and symbolic extremity) of heaviness. Case studies reveal the limitations of a purely instrumental lens on heaviness. The article further proposes that the relationships between elements in the composition and production of a track are significant aspects to consider when discussing heaviness, highlighting how it can be shaped by the interplay of physical and relational aspects, encompassing compositional choices and cultural expectations.
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Publication Date:
https://doi.org/10.1386/mms_00166_1 Published content will be available immediately after check-out or when it is released in case of a pre-order. Please make sure to be logged in to see all available purchase options.