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Volume 2, Issue 1
  • ISSN: 1474-2756
  • E-ISSN: 2040-0578


The ‘new’ in hopes to point to an unashamedly utopian direction, providing a platform not only for the study of new forms of cinematic practices and a new focus on cinemas hitherto neglected in Western scholarship, but also for new ways of configuring identities and issues of self and otherness through the cinematic apparatus, and a new, heightened consciousness of the constant need to break down the boundary and distinction between self and other even as one problematises them.


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