Pathaan’s touch: Cinematic contact, SRK and spectatorship

References

1. Anand, Siddharth (2023), Pathaan.
   [Google Scholar]
2. Bhaskar, Ira (2023), ‘On Pathaan: Betrayal, commitment and belonging’, BioScope: South Asian Screen Studies, 14:2, pp. 137–42.
   [Google Scholar]
3. Chadha, Kalyani and Kavoori, Anandam (2008), ‘Exoticized, marginalized, demonized: The Muslim “Other” in Indian cinema’, in A. Kavoori and A. Punathambekar (eds), Global Bollywood, New York: New York University Press, pp. 131–35.
   [Google Scholar]
4. Dudrah, Rajinder, Mader, Elke and Fuchs, Bernhard (eds) (2015), SRK and Global Bollywood, Oxford: Oxford University Press, pp. 122–37.
   [Google Scholar]
5. Dyer, Richard (2004), Heavenly Bodies: Film Stars & Society, 2nd ed., London: Routledge.
   [Google Scholar]
6. Ghosh, Shohini (ed.) (2023), ‘Pathaan: Action, sensation and the spectre of the Muslim’, Bioscope, Special Section, 14:2, pp. 156–61.
   [Google Scholar]
7. Kapse, Anupama and Sen, Meheli (eds) (2017), Framework: The Journal of Cinema and Media, Special Issue: ‘Fan’, 58:1–2.
   [Google Scholar]
8. Lutgendorf, Philip (2016), ‘Is there an Indian way of filmmaking?’, International Journal of Hindu Studies, 10:3, pp. 227–56.
   [Google Scholar]
9. Majumdar, Neepa (2017), ‘Embodiment and stardom in Shahrukh Khan’s Fan’, Framework: The Journal of Cinema and Media, 58:1–2, pp. 144–60.
   [Google Scholar]
10. Majumdar, Neepa (2023), ‘Recognising and misrecognising Shahrukh Khan in Pathaan’, BioScope: South Asian Screen Studies, 14:2, pp. 162–68.
    [Google Scholar]
11. Marks, Laura (2000), The Skin of the Film: Intercultural Cinema, Embodiment, and the Senses, Durham, NC: Duke University Press.
    [Google Scholar]
12. Mishra, Vijay (2002), Bollywood Cinema: Temples of Desire, New York: Routledge.
    [Google Scholar]
13. Viswanath, Gita (2011), ‘The star, the role and the spectator: Shahrukh Khan’s recalcitrant Muslim identity’, in J. Jain (ed.), Muslim Culture in Indian Cinema, Jaipur: Rawat Books, pp. 74–91.
    [Google Scholar]