From melancholic to happy immigrant: Staging simpleton in the comedies of migration

References

1. Ahmed, Sara. (2010), The Promise of Happiness, Durham, NC:: Duke University Press;.
   [Google Scholar]
2. Anon.. (2014), 'Kim's Convenience is a funny and generous play', Ottawa Citizen, 20 May .
   [Google Scholar]
3. Bauman, Zygmunt. (2017);, 'Symptoms in search of an object and a name'. , in H. Geiselberger. (ed.), The Great Regression, Cambridge:: Polity Press;, pp. 13-25.
   [Google Scholar]
4. Choi, Ins. (2012), Kim's Convenience, Toronto:: Anansi;.
   [Google Scholar]
5. Cox, Emma. (2014), Theatre and Migration, Basingstoke:: Palgrave Macmillan;.
   [Google Scholar]
6. Cox, Emma, and Zaroulia, Marilena. (2016);, 'Mare nostrum, or water matters'. , Performance Research, 21:2, pp. 141-49.
   [Google Scholar]
7. Cox, Emma, and Wake, Caroline. (2018);, 'Envisioning asylum/engendering crisis: Or, performance and forced migration 10 years on'. , Research in Drama Education: The Journal of Applied Theatre and Performance, 23:2, pp. 137-47.
   [Google Scholar]
8. Daniher, Colleen Kim. (2018);, 'On teaching Kim's Convenience: Asian American studies, and the politics of race in Asian Canadian theatre and performance studies'. , Theatre Research in Canada, 39:1, pp. 8-27.
   [Google Scholar]
9. Esslin, Martin. (1960);, 'The theatre of the absurd'. , The Tulane Drama Review, 4:4, pp. 3-15.
   [Google Scholar]
10. Freeman, Barry. (2017), Staging Strangers: Theatre and Global Ethics, Montreal:: McGill-Queen's University Press;.
    [Google Scholar]
11. Furedi, Frank. (2006), Culture of Fear Revisited, London:: Bloomsbury Publishing;.
    [Google Scholar]
12. Głowacki, Janusz. (1986), Hunting Cockroaches (trans. J. Kosicka.), New York:: Theatre Communication Group;.
    [Google Scholar]
13. Grote, David. (1983), The End of Comedy: The Sit-Com and the Comedic Tradition, Hamden, CT:: Archon Books;.
    [Google Scholar]
14. Jeffers, Alison. (2012), Refugees, Theatre and Crisis: Performing Global Identities, Basingstoke:: Palgrave Macmillan;.
    [Google Scholar]
15. Jestrovic, Silvija, and Meerzon, Yana. (2009);, 'Introduction: Framing "America" – Between exilic imaginary and exilic collective'. , in S. Jestrovic, and Y. Meerzon. (eds), Performance, Exile and 'America', Basingstoke:: Palgrave Macmillan;, pp. 1-20.
    [Google Scholar]
16. Hoenselaars, A. J. (Ton). (1992), Images of Englishmen and Foreigners in the Drama of Shakespeare and His Contemporaries: A Study of Stage Characters and National Identity in English Renaissance Drama, 1558-1642, Rutherford, NJ:: Associated University Press;.
    [Google Scholar]
17. Lawson, Mark. (2015);, 'Has British comedy learned how to portray foreigners?'. , The Guardian, 10 February .
    [Google Scholar]
18. Levitt, Peggy, and Watters, Mary C.. (2002);, 'Introduction'. , in P. Levit, and M. C. Waters. (eds), Changing Face of Home: The Transnational Lives of the Second Generation, New York:: Russell Sage Foundation;, pp. 1-30.
    [Google Scholar]
19. Marschall, Anika. (2018);, 'What can theatre do about the refugee crisis? Enacting commitment and navigating complicity in performative interventions'. , Research in Drama Education: The Journal of Applied Theatre and Performance, 23:2, pp. 148-66.
    [Google Scholar]
20. Meerzon, Yana. (ed.) (2019);, 'Theatre and (im)migration: The Canadian theatre of shimmering maps'. , in Theatre and (Im)migration, Toronto:: Playwrights Canada Press;. pp. 1-27.
    [Google Scholar]
21. Montesinos, Delia M.. (2014), The Ingenious Simpleton: Upending Imposed Ideologies through Brief Comic Theatre, Lanham:: University Press of America;.
    [Google Scholar]
22. Olson, Elder. (1968), The Theory of Comedy, Bloomington, IN:: Indiana University Press;.
    [Google Scholar]
23. Parati, Graziella. (2017), Migrant Writers and Urban Space in Italy: Proximities and Affect in Literature and Film, Cham:: Palgrave Macmillan;.
    [Google Scholar]
24. Paravano, Cristina. (2018), Performing Multilingualism on the Caroline Stage in the Plays of Richard Brome, Newcastle Upon Tyne:: Cambridge Scholars Publishing;.
    [Google Scholar]
25. Rosello, Mireille. (2001), Postcolonial Hospitality: The Immigrant as Guest, Stanford, CA:: Stanford University Press;.
    [Google Scholar]
26. Schultz, Albert. (2012);, 'Foreword'. , in I. Choi. (ed.), Kim's Convenience, Toronto:: Anansi;, pp. 3-5.
    [Google Scholar]
27. Taucar, Jacqueline. (2019);, 'Performing homeland and multicultural imaginaries in Toronto's Caravan Festival'. , in Y. Meerzon. (ed.), Theatre and (Im)migration: New Essays in Canadian Theatre, vol. 10, Toronto:: Playwrights Canada Press;, pp. 147-71.
    [Google Scholar]
28. Trojanowska, Tamara. (2003);, 'Many happy returns: Janusz Głowacki and his exilic experience'. , Living in Translation: Polish Writers in America, Studies in Slavic Literature and Poetics, vol. 38, pp. 259-87.
    [Google Scholar]
29. Wilmer, Stephen E.. (2018), Performing Statelessness in Europe, Cham:: Palgrave Macmillan;.
    [Google Scholar]
30. Meerzon, Y.. (2019);, 'From melancholic to happy immigrant: Staging simpleton in the comedies of migration'. , Performing Ethos, 9, pp. 23-35, doi: 10.1386/peet_00003_1
    [Google Scholar]