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This article is a self-examination of the process and intentions behind writing the stage play, The Electric Boy. It considers the ethics and ethos that arise throughout the play in an effort to more deeply clarify the underlying tensions associated with those elements. As a play that might be considered ‘absurdist’, The Electric Boy probes issues of adoption, infertility, commercialism and what it means to be human on a planet where there is no scarcity of people. The play presents an infertile couple in capitalist America and their quest for a child in this fast-paced, ‘Frankensteinean’, dark comedy. The archetypal characters acerbically deliberate, discuss, deduct and raise ethical questions that are relevant to our world today. Technology, science and money mesh to beget the first mail-order Electric Boy. Ultimately a threat to the order and arrangement of the human world, the Electric Boy must be sacrificed.